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Direct References to Soulima at UIUC

220- discusses a performance ‘in the provinces’ of the Rake. I assume this to mean the French provinces, though I checked the 1952-1954 programs just in case UIUC qualified as a ‘province’ in the US! I found no program, but will keep my eyes open.

221- Discusses Igor’s Sextet

165- Discusses Soulima’s recent arrival in California

171- Discusses Soulima’s search for calm in composing

211- Discusses adjustment to teaching/career

212- 211, continued.

167- See 168.

168- Soulima asks for a letter of recommendation, and also complains about LA weather.

192- Soulima continues to adjust to life in Urbana “And now, here, a second university winter semester starts. We've taken root in this place. (Don't smile, things take root quickly in fertile soil). We love this life. I love my students and find myself in the best working conditions there are. Lots of concerts as well this year, like last year. Francoise thinks I accept too many of them.”

193- cont. Soulima discusses student, Patricia Hepner, and speaks of his son Jean (John? in that Stravinsky A-Z text?- also a friend, Lucy Yockey, mentioned her Grandmother babysat John once when they had a concert come up on short notice).

126- Soulima mentions the Piano Concerto Igor wrote for him

144- Boulanger discusses the transcriptions that Soulima made (and often played)

224- letter from Soulima to Boulanger

Direct References to Francois

218- Igor was quite pleased with Francoise’ reaction to the Rake