Saturday, April 26, 1986, 8:00 p.m. Symphonic Band James F. Keene, Conductor ve Everett ell Davies ROGRAM FIESTA DEL PACIFICO Roger Nixon summer, arious communities in California annually celebrate The Fiesta del the Old Spanish Days of the state. cifico is one of these celebrations and takes place San Diego for twelve days during the featuring a play on the history of the area, a parade, rodeo, and street dancing. The composer describing this event in graphic sound is a native Californian o, in addition to four major works for the concert and, has written in a wide variety of other media. SOUNDS, SHAPES AND SYMBOLS in Four Movements Leslie Bassett eslie Bassett has been, since 1952, on the faculty of the University of Michigan where he is chairman of the Composition department. A student of Ross Lee Finney, Arthur adia Boulanger and he Honegger, was a Guggenheim Fellow and recipient of the coveted Prix de In 1966 his Variations for Orchestra received the Pulitzer Prize in music, following the first American performances by the Philadelphia Orchestra with Eugene Ormandy. Sounds, Shapes and Symbols in four movements provides study in textures. extended in range and expressive means, the work opens with a series of quasi-fanfares and ascending and with dark, mellow sonorities overlapped with shrill Brilliant in sonority and descending cascading lines. woodwind pyramids. great deal followed of by a The second movement opens The third movement employing a nontraditional wind techniques is brilliant finale which is the most incisive and rhythmically varied of the four. beat Thursday, May 1, 1986 8:00 p.m. ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

1986, 8:00 p.m. 
symphonic Band 
James F. Keene, Conductor:-
Roger:- Nixon 
nities in Califocnia annually celebcate 
ish Days of the state. The Fiesta del 
one of these celebcations and takes place 
ego foe twelve days ducing the summer:-, 
a play on the histocy of the acea, a parade, 
street dancing. The composer:- desccibing 
in graphic sound is a native Califocnian 
ition to four:- major:- wocks foe the concect 
itten in a wide vaciety of other:- media. 
APES AND SYMBOLS Leslie Bassett 
,veinents 
tt has been, since 1952, on the faculty of 
ity of Michigan whece he is chair-man of the 
department. A student of Ross Lee Finney, 
igei: and Acthuc Honegger:-, he was a 
Pellow and cecipient of the coveted Pcix de 
1966 his Vadations foe Occhestca ceceived 
,r Prize in music, following the ficst 
formances by the Philadelphia Occhestca 
Ormanay. 
~and Symbols in four:- movements pcovides 
textures. Bcilliant in sonocity and 
~ange and expressive means, the wock opens 
les of quasi-fanfaces and ascending and 
cascading lines. The second movement opens 
:~low sonocities ovedapped with s\_hcill 
lds. The thicd movement employing a 
of nontraditional wind techniques is 
r~ br~lliant finale which is the most 
Ythmically vacied of the four:-. 
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ve Everett the the ell Davies. NAPOLI and The Euphonium Section an extended Herman Bellst the folk collections of the Armenian priest, Gomidas Vartabed, commissioned Dr. Reed to make Angie Hunter, Rob Hill, Sharon Huff, Mark Jirouse composition using the tunes compiled by this celebrated ethnomusicologist. Union and In addition, Begian enlisted A talented cornetist, bandmaster, composer, arrange financial aid from Alex Manoogian, president of well-known teacher, Herman Bellstedt is best known Armenian General Benevolent commission. musicians today for his superb cornet solos which, i to help underwrite the philanthropist, the opinion of many players and soloists, rank at Alfred Reed, the composer, is on the faculty of the He is one top of the cornet literature. As a soloist with University of Miami, Coral Gables, Florida. internationally known Sousa Band, Bellstedt star of the most gifted of modern day writers for band. honors with cornet virtuosos Herbert L. Clarke a creative output is prodigious and always of the highest quality. Frank Simon. to being In addition to NAPOLI, originally a cornet solo, adapted for band by Simon, as a showcase of virtuosi for the cornet section. This evening, however, would like to showcase the euphonium section of band. LIEBESTOD His the very a first-rank conductor of acknowledged composer, Dr. Reed is also au a composer who So here we have d skill and finesse. knows bands from all aspects and writes superlative music which shows his knowledge of and respect for the I is a band medium. Concerning the music itself, Part I interwoven Richard Wap free rondo built on five songs which are Dr. Harry Begian, Conducting The final scene of Wagner's music drama, "Tristan Isolde" is known as "Liebestod" ("Love Death"), a ti said to have been given to it by Franz Liszt. Iscl In the opera, Isolde is summoned to cure Tristan of wounds, as he lies at the point of death. arrives just as Tristan had, in his delirium, tom bandages from his wounds, and he expires in her a of song At first high Pouring out her soul in a glorious flood sinks upon her lover's body and dies. somber as the scene itself, then swelling ever Tristan and Isolde's great love, finally seeming this majestic music portrays in tone the beauty & "burst in overwhelming glory and melt away in de calm." ARMENIAN DANCES, Part I Dr. Harry Begian, Conducting Alfred Alfred Reed has taken authentic Armenian folk tune Dr. Begian, being familiar a basis for his work. The into a continuous, uninterrupted musical whole. ms, in order of their appearance, are Tzirani Tzar (The Apricot Tree), Gakavi Yerk (Partridge Song), Hoy azan Em (Hoy, My Nazan), Alagyaz, and Gna, Gna (Go, Go). Fittingly, the work is dedicated to the A.G.B.U. Alex Manoogian Cultural Fund and to Dr. Harry Begian. INTERMISSION RIDE OF THE VALKYRIES Richard Wagner Dr. Mark Hindsley, Conducting Much has been The wildest, fiercest and most vividly picturesque, is the music of the RIDE OF THE VALKYRIES. set down in notes to illustrate the swift rhythm and leapings of wild horses, but nothing has had the superb and detailed suggestiveness, the incredible this marvelous musical portrait. power of The music is taken from the opening of the third act of Die Walkure, when the Valkyries, the fierce warrior-maidens rush over mountain tops, each carrying the body of a slain hero, their way to Valhalla. call to each "Ho-yo-to-ho". other As they fly, the maidens the savage war with Swiftly the thundering band moves on, the echoing hoof beats lingering briefly behind. Thursday, May 1, 1986 8:00 p.m. ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman cry

NAPOLI Het111i1n 
The Euphonium Section 
Angie Hunter, Rob Hill, Sharon Huff, Mark ii: 
A talented cornetist, bandmaster, composer, 
and teacher, Herman Bellstedt is best 
musicians tooay for his superb cornet soloe 
the opinion of many players and soloists, 
top of the cornet literature. As a solo.' 
internationally known Sousa Band, Bells 
honors with cornet virtuosos He~bert L. 
Frnnk Simon. Nl\\POLI, originally a cornet 
adapted foi::- band by Simon, as a showcase of 
for: the cornet section. This evening, 
would like to showcase the euphonium sec 
band. 
LIEBESTOD 
Dr. Harry Begian, 
The final scene of Wagner's music drama, 
Isolde" is kno'r'n as "Liebestoo" ( "Love oeath
1 
said to have been given to it by Franz Liszt 
In the opera, Isolde is surrmoned to cure Tr. 
wounds, as he lies at the point of aea! 
arrives just as Tristan had, in his delid 
bandages from his wounds, and he expires 
Pouring out her soul in a glorious flood 
sinks upon her lover's body and dies. 
somber as the scene itself, then swellin<J 
this majestic music portrays in tone th8 
Tristan and Isolde's great love, finallY 
"burst in overwhelming glory and melt a'tlaY 
calm." 
ARMEN IAN DANCES, Part I 
Dr. Harry Begian, Conductin9 
• n f1 
Alfred Reed has taken authentic Armen~a f, 
a basis for his work. Dr. Begian, beln9 
folk collections of the Ar:menian priest, Gomidas 
cOlllTiissioned Dr. Reed to make an extended 
tion using the tunes compiled by this celebrated 
icologist. In addition, Begian enlisted 
ial aid fr:om Alex Manoogian, president of the 
,an General Benevolent Union and well-known 
,th(opist, to help underwrite the commission. 
Reed, the composer, is on the faculty of the 
,ity of Miami, Coral Gables, Florida. He is one 
1105t gifted of modern day writers for band. His 
'.ve output is prooig ~\_ous and always of the ver:y 
t quality. In addition to being a first-rank 
, Dr. Reed is also a conductor of acknowledged 
and finesse. So here we have a composer who 
bards from all aspects and writes superlative 
which shows his knowledge of and respect for the 
adium. Concerning the music itself, Part I is a 
rondo built on five songs · which are interwoven 
a \_continuous, uninterrupted musical whole. The 
' 1~ order of their appearance, are Tzirani Tzar 
Apricot Tree), Gakavi Yerk (Partridge Song), Hoy 
( !k>Y, My Naz an) , Alagyaz, and Gna, Gna (Go, 
~1\_ngly, the work is dedicated to the A.G.B.U. 
-~1an Cultural Fund and to Dr. Harry Begian. 
I N T E R M I S S I O N 
Richar:d Wagner 
Dr:. Mar:k Hindsley, Conducting 
~t, fier:cest and most vividly pictur:esque, 1.s 
fo«a~ ~f the RIDE OF THE VALKYRIES. Much has been 
· ~n ~otes to illustrate the swift rhythm and 
~l wild horses, but nothing has had the superb 
larve~ sugge:5tiveness, the incredib~e I:°wer of 
the u~ musical portrait. The music 1.s taken 
1~ning of the third act of Die Walkure, wh
en 
·· t~S, the fierce warrior-maidens rush over 
r w ' each carrying the body of a slain hero, 
to ay to Valhalla. As they fly, the maidens 
ho~ach o~her with the savage war cry 
,tng h. Swiftly the thundering band moves on, 
OOf beats lingering briefly behind. 
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This transcription was recently completed by Dr. Hindsley and is dedicated to the memory of Lt. C William F. Santelmann, United States Marine Corps Band SEMPER FIDELIS John Philip Sou Dr. Mark Hindsley, Conducting This march takes its title from the U.S. Marine Cor motto meaning "Always Faithful." It has been the Marine Corps' official march for many years and va regarded by Sousa as his most musical march. THE FIREBIRD SUITE Introduction Dance of the Firebird Dance of the Princess Infernal Dance of King Kastchei Berceuse and Finale Igor Stravins Stravinsky spent the early years of his career main in Russia and received commissions from Ser Diaghilev to write a number of ballets. ballets was Among the The Firebird (1910) which was his fi major success. Its initial performance in Paris him an instant musical celebrity in Europe. was followed by two more with the advent a Petrouchka (1911) and The Rite of Spring (1913). success The Firebird textur Suite can be distinguished by brilliant use of timbre, orchestration, and In place of the Romantic ideal of blended timbe Stravinsky chose to follow Rimsky-Korsakov emphasized the contrast and opposition Each instrument or group of instruments retains unique sound, making the orchestration seem tɩansparent. entire of timbe fabric of The transcription for concert band of this sympho masterpiece is the work of Guy M. Duker, associa director of bands Illinois. emeritus, at the University UNIVERSITY OF ILLINOIS BANDS Symphonic Band Symphonic Band Symphonic Band Symphonic Band II The Wind Ensemble Clarinet Choir Festival Symphonic Band Symphonic Band II JAMES F. KEENE Director of Bands Peoria, Ill. 1986 SPRING CONCERTS Addison Trail H.S. Glenbard South H.S. February 27 Elgin H.S. February 28 February 28 March 3 Smith Music Hall March 16 Harding Band Building April 18-19 Krannert Center Krannert Center April 26 April 27 Krannert Center April 30 Krannert Center Quad Concert Quad Concert May 1 May 4 May 11 Krannert Center May 24 Concert Band I/Wind Ensemble Concert Bands IIA and IIB Symphonic Band II Concert Bands I-IIA and IIB Symphonic Band Commencement Concert Thursday, May 1, 1986 8:00 p.m. ve Everett ell Davies ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

This transcription was recently completed by Dr. 
Hindsley and is dedicated to the memory of Lt. 
William F. Santelmann, United States Marine Co~ 
SEMPER f IDELIS John Philip 
Dr. Mark Hindsley, Conducting 
This march takes its title from the U.S. Marine 
motto meaning "Always Faithful." It has bes 
Marine Corps' official march for many years am 
regarded by Sousa as his most musical march. 
THE FIREBIRD SUITE 
Introduction 
Dance of the Firebird 
Dance of the Princess 
Infernal Dance of King Kastchei 
Berceuse and Finale 
Stravinsky spent the early years of his car• 
in Russia and received commissions frta 
Diaghilev to write a nwnber of ballets. 
ballets was The Firebird ( 1910) which was 
major success. Its initial performance in 
him an instant musical celebrity in Eu 
success was followed by two more with the 
Petrouchka (1911) and The Rite of Sprin\_g\_ (191 
The Firebird Suite can be distinguished 
brilliant use of timbre, orchestration,~ 
In place of the Romantic ideal of ble 
Stravinsky chose to follow Ri~~y-Ko~ 
emphasized the contrast and oppos1t1on 
Each instrument or group of instruments ·c 
unique sound, making the entire fab'1 
orchestration seem ttansparent. 
r 
The transcription for concert band of 
th:' 
masterpiece is the work of Guy M- ouJc; i 
director of bands emeritus, at the 
11 
Illinois. 
UNIVERSITY OF ILLINOIS BANDS 
J AMES F. K EENE 
Director of B ands 
1986 SPRING CONCERTS 
Addison Trail H.S. 
and Glenba rd South H .S. 
and Elgin H .S. 
and II Peoria, Ill. 
nsemble Smith Music Hall 
ir Festival Harding Band Building 
and Kranncrt Center 
and II Krannert Center 
d 1/Wind Ensemble Krannert Center 
ds lIA and IIB Krannert Center 
and II Quad Concert 
ds 1-IIA and IIB Quad Concert 
andc 0mmencemen t 
Kranncrt Center 
February 27 
February 28 
February 28 
March 3 
March 16 
April 18-19 
April 26 
April 27 
April 30 
May 1 
May4 
May 11 
May 24 
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-Set II Sounds, Shapes and Symbols Symphonic Band 1985-1986 REPERTOIRE Army of the Nile, March English Dances Finale from Symphony #3 Sun Paints Rainbows on Vast Waves Napoli from Jeremiah Symphony. Northwind, March "Profanation" from Boys of The Old Brigade, March. Symphony #3-finale Honey Boys on Parade, March Illini Fantasy Premiere Rhapsody Variants on a Medieval Tune Enigma Variations. Illinois March Lincolnshire Posy Illinois Loyalty. Symphonic Metamorphoses on Themes of Carl Maria von Weber, The Huntress, March The Hun Propagula Fiesta del Pacifico Armenian Dances D.R. III's Honnorsmarsch Yankee Doodle Fantasy Humoresque Dionysiaques Bullets Bullets and Bayonets, March Semper Fidelis, March University of Till of Illinois March Till Eulenspiegel The Firebird Suite (complete) The 1812 Overture Three Fantastic Dances Liebestod from "Tristan and Isolde". Ride of the Valkyries. Overture to "The Cowboys". Scherzo for a Bitter Moon. ...Alford, Kenneth .Arnold, Malcolm Arnold, Malcolm Bassett, Le Bedford, David Bellstedt, Herman Bernstein, Leonard Chambers, W. Paris Chambers, W. Paris Copland, Aaron Cupero, E.V Curnow, James Debussy, Claude .Dello Joio, Norman ........Elgar, Edward Goldman, Edwin Franks Grainger, Percy Guild, T. Hindemith, Paul King, Karl L Linn, Robert Mostad, Erling Nixon, Roger .....Reed, Alfred Reeves, D. W Schmitt, Flo hmitt, Florent Sousa, John Philip Sousa, John Phil Sousa, John Phil Strauss, Richard Stravinsky, I Tschaikovsky, Peter lyck Turina, Jaqui Wagner, Richard Wagner, Riche Williams, John Younts, Timothy ABOUT THE BAND In the 1920s John Philip Sousa called it the "World's Greatest College Band." During separate guest conducting appearances in the mid 50s, Edwin Franko Goldman acclaimed it "Second to none" and the "finest of all Concert Bands." More recently many of the country's most prominent composers and conductors have written in terms such as these: "I have never heard such professional playing and sheer musicianship from any band" I have never heard any band, professional or otherwise, that has the warmth of tone and brilliance of sound that the Concert Band has" "I know of no other band that could have played so much difficult music so well" "One can easily see why the University of Illinois Bands continue to lead the nation in cultural attainment" Superlatives like these have come to be expected uuring the long and illustrious history of the University of Illinois Bands. Shortly after the University opened in 1868, a military band was organized. The military band became the Concert Band, and gave its first formal concert in 1890. The Symphonic Band of today. is the top of a pyramid of University Band organizations, both concert and marching, which regularly enroll over 700 students. The bands were guided for forty-three years to their position of eminence by Albert Austin Harding, who became honorary life president of both the College Band Directors Associ- ation and the American Bandmasters Association. Mark Hindsley became Director of Bands upon Harding's retirement in 1948. To Director Hindsley position of en in attributed the far-sighted project of LP disc recordings. Hindsley re- tired in 1970 and Harry Begian became Director of Bands until his retire- ment in 1984. In addition to his outstanding musical achievements, Dr. Begian established the University Band Conducting Internship Program. This program provided potential university band conductors with the opportunity to develop their craft through firsthand study and application in a model band program. Several of today's leading college band conductors served as band conducting interns under Dr. Begian's tutelage. In 1985 James F. Keene was appointed Director of Bands at the University of Illinois, becoming only the fourth director since 1905. Thursday, May 1, 1986 8:00 p.m. ve Everett ell Davies ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

5 ymphonic Band 
1985-1986 REPERTOIRE 
Army of the Nile, March .. . ............. . . ... .... ... . ... Alford 
English Dances - Set II . . . ......... . ............. . . . . . Arno// 
Finale from Symphony :;:: 3 ... . ....... . ....... . ... ....... Arnold: 
Sounds, Shapes and Symbols .. . ...... . ............. . . . . .... Bass, 
Sun Paints Rainbows on Vast Waves .. . .. . ............. . .. . Bed/or4, 
Napoli ... ...... ....... .. ......................... .. . Bellstedt,H. 
"Profanation" from J eremiah Symphony .. ........ . . . .. .. Bernstein, 
Boys of The Old Brigade, March .. .. .... . .. . ... . .. . .. . . Chambers, 
North wind, March . ... . ........ .. ....... .. ......... . Chambers, 
Symphony # 3 - final e .... . ....... . ................... .. Copland, 
Honey Boys on Parade, March ................. . ..... . ... . . Cu\_ 
Illini Fantasy ..... . ................................... .. Curn1111, 
Premiere Rhapsody ................ . .. . ........ . . . . .. . . . DebuSJY, 
Variants on a Medieval Tune ..... . ............ . .... . . Delio Joio, 
Enigma Variations ................................... ... . Elgar, 
Illinois March . . ................................ Goldman, Edwia 
Lincolnshire Posy ............ . . . ..... . ......... . .. . . .... Grain, 
Illinois Loyalty .............................. . ....... .. • · · · 
Symphonic Metamorphoses on Themes 
of Carl Maria von Weber .................... . ...... . . . Hind, 
The Huntress, March ....................... . .. .. ... . . ... . Ki 
Li Propagula . ... . . ................ . ............... • • • · · · · · · · 
D.R. Ill's Honnorsmarsch . .. ... . ..... . ............. . . . .. . Mo. 
Fiesta del Pacifico . . . .............................. . . . .. . N1· 
Am1enian Dances ..... . ............ .. .. . ....... ..... ... . • .R, 
Yankee Doodle - Fantasy Humoresque .. . ......... .. . . .. • •. Re,. 
Dionysiaques .......... . ..... .. ........ . ......... . · · · s~!;;j 
Bullets and Bayonets, March .. . .... .. ........... . . . • • · · } 
S F 'd 1· M h Sousa, , emper I e 1s, arc ................ . .......... . • • • · } 
U · · f Ill' · M h .Sousa, 1 mvers1ty o 11101s arc ........................ • · · 
Till Eulenspiegel ... .. ... ... ....... . ........... ...... . .. Stra~ 
The Fire bird Suite (complete ) . . ........ . ....... • • · · · · ·: · .St Pi 
1812 Overture ................................. Tschaikovs Y: \_ 
Three Fantastic Dances ..... . . ... ... .............. .. .. . • Tun 
Liebestod from "Tristan and Isolde" ........ . . . ..... • • · · · · 
Ride of the Valkyries ............. . ................ • · · · · 
0 tu t "Th C bo " · · · ver re o . e ow ys ... . ....... . .. • • • · · · · · · · · · · Yountz, 
Scherzo for a Bi t ter Moon ................. . ....... • · · · · · 
ABOUT THE BAND 
the 1920s John Philip Sousa called it the "World's Greatest Collc~c- Band." 
separate guest conducting appearances in the mid 50s, Ed11·in Franko 
acclaimed it "Second to none" and the " finest of a ll Concert Ba nds." 
recently many of the country's mo,t prominent composers a nd conductors 
written in terms such as these : 
uve never heard such professional playing and sheer musicianship from any 
llavc never heard any band, professional or otherwise, that has the warmth of 
and brilliance of sound that the Concert Band has" 
bow of no other band that could h ave played so much difficult music so 
can easily see why the U niversity of Illinois Bands continue to lead the 
in cultural attainment" 
·.ves like these have come to be expected uuring the long and illustrious 
of the University of Illinois Bands. Shortly after the University opened 
1868, a military band was organized. The military band became the Concert 
and gave its first formal concert in 1890. The Symphonic Band of today 
Ille \_top of a pyramid of University Band organizations, both concert and 
mg, which regularly enroll over 700 students. The bands were guided 
forty.three years to their position of eminence by Albert Austin H arding, 
became honorary life president of both the College Band Directors Associ-
and the American Bandmasters Association. Mark Hindsley became 
be of\_Bands upon H arding's retirement in 1948. To Director H indsley 
. attributed the far-sighted project of LP disc recordings. Hindsley re-
: 11: and H\_a~ Begi\_an became Direct?r of B\_ands until his ret~re-. . · In addrtion to his outstanding musical achievements, Dr. Beg1an 
tbe 1:Jniversity Band Conducting Internship Program. This program 
craf P<>tentia[ university band conductors with the opportunity to develop 
tbrough firs thand study and application in a model band program. 
lllld today's leading college band conductors served as band conducting 
la t9a5 er Dr. Begian's tutelage. 
Illinois, {:nes !· Keene was appointed Director of Bands at the University 
conung only the fourth director since 1905. 
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JAMES F. KEENE, Director of Bands James F. Keene is Director of Bands/Professor of Music at the University of Illinois. Onl the fourth Director of Bands in the history of the Illinois Bands, he becomes the successor to the legendary A. A. Harding, Mark Hindsley, and Harry Begian. Keene recently completed a five-year tenure at the University of Arizona, during which his bands received national recognition and acclaim through their concert tours and convention performances, most recently the national convention of the American Band masters Association. Previous to his appointment at Arizona, Keene was Director of Bands at East Texas State University for five years and developed one of the mo widely respected band programs in the Southwest. Throughout his career Keene has received many honors including the CITATION OF EXCELLENCE from the National Band Association. He has been selected to condut All-State and regional honor bands throughout the United States, Keene has also served as clinician and adjudicator from coast to coast, Hawaii, Canada, and Mexico. Keene has also been a featured clinician at the annual conventions of the Colorado Bandmasters Association, Arkansas Banduasters Association, Nebraska Bandmasten Association, and numerous clinics for the Texas Bandmasters Association. In addition, be has served as a consultant and lecturer for public school districts and educational wod shops throughout the nation. Keene is a native of Detroit and received his bachelor's and master's degrees from the University of Michican. Prior to his Carlin at Arizona and East Texas Sta he also taught at the University of South University of Michigan. Louisiana Tech University, and the Keene holds honorary memberships in Kappa Kappa Psi, Tau Beta Sigma, and Phi Mu Alpha Sinforia. Recently, Keene was elected to the prestigious American Band masters Association. Ile also holds memberships in Phi Beta Mu National Bandmaste Honorary, as well as the Music Educators National Conference, College Band Direc National Association, and is an officer of the National Band Association. GARY E. SMITH, Associate Director of Bands. Gary Smith received his B.A. degree in 1964 at Butler University and his M.A. degree Ball State University. During his first four years of icaching he directed the march ing concert, and jazz bands at Northside High School in Fort Wayne, Indiana. At that ne, the band program was one of the largest in Indiana and for four straight years the arching, concert, and jazz bands compiled a perfect record of superior ratings at State Contest From 1968-72 he was Director of Bands at Saint Joseph's College in Rensselaer, Indiana. The band grew from 18 members to 90 players and in the summer of 1971 played a 23-day concert tour of Europe. The marching band performed on national television for the Chicago Bears. During 1972-76, Smith was Assistant Director of Bands at Indiana State University in Terre Haute, Indiana, where he directed the marching band, symphonic band, hasketball land, taught band arranging and marching band procedures. I.S.U's marching band performed on national television on five different occasions for various professional foot- ball teams. Presently, Smith is Associate Director of Bands at the University of Illinois where he conducts the nationally famous Marching Illini, the basketball band, Symphonic Band II, and teaches band arranging and marching hand procedures. The Marching Illini has appeared on national television on many occasions and has frequently performed at professional football games. In the summer months Smith works at various band camps and teaches summer workshops. at the University of Illinois. His home hase in the summer is at the Smith-Walbridge Camp in Syracuse, Indiana, which is the camp for twirlers, drum majors, drill teams, rifles and pikes, bands, and cheerleaders, Several of his marching band arrangements have been published and he has written articles for various periodicals. Thursday, May 1, 1986 8:00 p.m. ve Everett ell Davies ord ever Tipei MARK HINDSLEY, Director of Bands, Emeritus Mark Hindsley was born in 1905 on a farm near Union City, Indiana. After gradua from high school at the age of 15, be enrolled in Indiana University as a chem major, where he graduated with high distinction at age 19. Forsaking a carer chemistry Hindsley accepted the position of instructor of music and band director Indiana University, where he also earned the degree Master of Arts in Music. In 1929, Hindsley became Director of Bands at Cleveland Heights, and in 1934 accep the position as Assistant Director of Bands at the University of Illinois, At Illinois, became the conductor of the First Regimental Band and Director of the Marching which became known as a musical-military group without peer. In 1912. Hindslev received a direct commission as Captain in the Army Air Fo During the next three years he supervised over 150 Air Force musical groups and in 196 was assigned to the Biarritz American University in France as conductor of the band and orchestra. He was released from active duty in 1946 with the rank of Lt. Colonel Hindsley resumed his duties at the University of Illinois and was appointed Directi Bands upon the retirement of A. A. Harding in 1948. During his tenure H y an tinued to maintain and enhance the reputation of the Concert Band. He saw the i tion of the new Band Buikling, and the establishment of the LP record series. He s highest awards of the A.S.B.D.A. and the N.B.A. He is a past president of both awarded the honorary degree of Doctor of Music by ndiana University and holds C.B.D.N.A. and the A.B.A. He is the author of seven books and over forty-five at on instrumental music, and his manuscript transcriptions for hand are performed a the world. In retirement. Hindsley continues to serve as guest conductor and clinici both in the United States and abroad. HARRY BEGIAN, Director of Bands, Emeritus Harry Begian served as Director of Bands at the University of Illinois, Urbana campus. for 14 years, from 1970 until his retirement in the spring of 1984. He began his reputation as an outstanding conductor/teacher during his many years at Detroit's Cass Technical High School where he developed one of the finest high school bands in the country. During his last few years at Cass, he headed the Music and Performing Arts Departments Began went on to become Director of Bands at Wayne State University, a position he held for 3 years. Following Wayne State he was appointed Director of Bands at Michigan State University, where he also stayed for 3 years before coming to the University of Bagan's musical training was in the public schools of Michigan where he was a private student of Leonard Smith, the well-known cornet and trumpet virtuoso, He received his doctorate at the University of Michigan, Ann Arbor. bachelor's and master's degrees from Wayne State University in Detroit, and later earned Minois. Begian organized and conducted his first band and orchestra while in his late teens and has studied conducting at Tanglewood, summer home of the Boston Symphony Orchestra. He United States and Canada. Along with a very busy work schedule, he has found time to conduct operatic and Broadway performances, community symphony orchestras, com- munity concert bands, and a church choir. A charter member of the American School Band Directors Association, he is also a member of the American Bandmasters Association. the College Band Directors National Asociation, Omicron Delta Kappa, an honorary member of Phi Beta Mu, and the Michigan School Band and Orchestra Association. His professional affiliations include memberships in Phi Mu Alpha and Phi Delta Kappa. He is a recipient of the National Band Association CITATION OF EXCELLENCE and the ASBDA. EDWIN FRANKO GOLDMAN AWARD. He was recently elected President-elect of the American Bandmasters Association. urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

JAMES F. KEENE, Director of Bands 
James f. K ee ne is Direc tor of Ba nds/ Professor of Music at the U nivers
·t f .. 
the fou rth Direc tor of Bands in the history of the Illinois Band
: y ho llhllOII. 
successor to the legendary A. A. Harding. Mark Hi ndsley and Harry B
e' • e ~coaia ' g1an. 
K eene recently comple ted a fi, -c -year tenure at the University of Ari
zo d . 
h is bands received na tional recognition and acclaim through their
 cona, unng 
· f . ncert 
t, 
conve nt10n pe'.· o\_rma nccs, \_m ost recently th e\_ national convention of t
he American 
masters ,\\ ssoc1a t1on. Prev10us to his appo111tment at Arizona, K een
e wa n· 
Bands a t East T exas State University for five years and develope
d on/ of 1:e 
" ·idely respected band programs in the Southwest. 
Th roughou t his carl'er K eene has received many honors including th
e CITATI· 
EXCELLE'.':CE from the '.\\a tiona l Band Association. He has been 
selected to 
All-S ta te and regional honor bands throughout the United States, K e
ene has ai., 
as clinician and adjudica tor from coast to coast, H awa ii, Canada, an
d Mexico. 
K eene has a lso been a featured clinician at the annual conventio
ns of the 
Band m ~stcrs .'\\ ssoc ia tion. Arkansas Bandmasters Associat ion, Neb
raska B. 
:' ss ,ciati on, and numcrous clinics for the T exas Bandmasters Associa tio
n. In ad 
has served as a ccnsultant and lecturer for public school districts and
 educational 
shops throughout the nation. 
K eene is a nati,·e of D etroit and received his bachelor' s and ma
ster' s degna 
the Uni,crsity of iri chigan . Prior to his appoin tments at Arizona an
d East Te111 
he a lso taught a t the University of South Carolina, L ouisiana Tech 
University, 
Un i,-crs ity of Mi chi gan. 
K eene hold s honorary memberships in K appa K appa Psi, Tau Be
ta Sigma, 
Mu Alpha Sinforia. R ecentl y, K eene was e lec ted to the prestigio
us Amcricaa 
masters Association. H e a lso holds memberships in Phi Beta Mu N
ational 
H onorary, as well as the Music Educators National Conference, Col
lege Band 
National Association, and is an offi ce r of the National Rand Association
. 
MARK HINDSLEY, Director of Bands, Emeritus 
Mark Hindsley was born in 1905 on a fa nn near Union City, Indian~- A
fter 
from high school at the age of 15, he enrolled in Indiana University \_as • 
major, where he grad uated with high distinct ion at age I~- Forsaki
n~ a 
chemistry Hindsley accep ted the position of inst ructor of music an
d b~n 
l ndiana University, where he also earned the degree Master of Arts in M
usic. :34 
I n 1929, Hindsley became Director of Ba nds a t Clc,·eland Heights, 3:1d \_i n
 l~ 
the position as Assistant Direc tor of Bands at the University of Ilh
nois. { 
became the conductor of the First R egimenta l Band and D irector of 
the 1\\1 a 
"hich became known as a musical-military group without peer. 
1 n 19-f2, Hindslcy received a direct commission as Captain in the
 ArJIIY ... 
During the nex t three years he supen·ised o,·er 150 Air Force musical grourthe 
was assigned to the Biarritz American Univers ity in France as conduc
tor 
0
1 eL 
orchestra. H e was released from ac ti,·e duty in 1946 with the rank of Lt. Co 
0
~ 
I !indslcy resumed his duties at the Cni,-crsity of Illinois and was ap
pointeJ-1 
Bands upon the retirement of A. A. H ard ing in 1948. During his te
nure . diC 
tinued to maintain and enhance the reputat ion of the Concert Band. 
}-{edsa'rid-
tion of the new Band Building, and the establishment of the LP re
co~ send· 
,1warded the honorary degree of Doctor of itusic by : ndiana Unive
~ i~)' of 
highest a"ards of the .-\\ .S.B .D.A. and the '.\\ .B .. \\ . H e is a past pr
esi t" cy-1 
C.B.D.:\\'. A. and the :\\ .B.:\\. I le is the autlwr of seven books a nd ov
er o~or 
on instrumental music. a nd his manuscript transcriptions for hand ar
e per and 
the "oriel . In retirement , Hi ndsley continues to scn·e as guest cond
uctor 
hoth in the United States and abroad. 
GARY E. SMITH, Associate Director of Band s 
'th ~ceived h i~ B.A. d\_cgree\_ in 1964 at Butler University a nd hi s !11.
1
\\ . dl'grce 
: State University. Dunn.g his first f'.w r years of\_ teach ing he directed 
the march-
oiacert. and jazz bands at :'\\orth,1de High\_ School in f ort \\\\' ayn<'. 1 ndiana . :\\
t that 
the band program ."·as onl' of the larr;est 111 I nd1ana and for four stra ight years tlw 
DI, crncert, and Jazz ha nds cc!llp1kd a perfect record of rnpe n , ,r rat111~s 
at State 
l968--72 he was D irector of Bands at Saint J oseph 's College in Remsela<'r. Ind
iana. 
bind grew from 18 memhns to 90 players and 111 the sum!llcr of 1971 played a 
concert tour of Europe. The marchin g hand performed on national tcl<
'l'ision for 
Qicago Bears. 
1972-- 76, Smith was Ass istant Direc tor of Bands at Ind iana State l "11i,<'rsi
t y in 
Haute, Indiana, where he di,-ccted the marching band. symphonic hand, 
haskcthall 
taught band arranging a nd marching band proccdur<'s. I. S. U .'s marching 
hand 
on national tele,·ision on fi,·c different occasions for ,·arious prokssiona
l foot-
,tly, Smith is Associate Director of Bands at the Uniw·rsit,· of Illinois "he
re he 
ts the nationally famous M a rching Illini . the basketball band, Symphonic Ban
d 11 , 
tearhrs band arranging and marching band procedures. The 1\\ l arc hin
g l llini has 
on national television on many occasions and has frequently perfor
rn<'d at 
ional football games. 
6uwnrner months Smith \\\\ orks at ,·arious band camps and teaches sui:11n
rr "orkshops 
• l:niversity of Illinois. llis home base in the sum mer is at the Smi
th-Walbridge 
in Syracuse, Indiana, which is the camp for t\\\\ irkrs, drum majors , d
rill teams, 
and pikes, bands, and cheerleaders. Several of his marching band arrangements
 hm·e 
published and he has written art icles for various periodicals. 
HARRY BEGIAN, Director of Bands, Emeritus 
14 
lkgian served as Director o f Bands at the University of Illinois. Urbana cam
pus 
rears, from 1970 until his retirement in the sp ring of 1984. H e began hi s reputat10n 
• ~nding conductor / teacher during his many years at D etroit"s Ca
ss T echnical 
his 1 "here he developed one of the fines t high school bands in the coun try. 
last few years at Cass, he head ed the Music and Pe rforming .'\\rts D epa rtment
s. 
";11.: on to bec~me Director of Bands at Wayne State University. a posi'.ion he 
U . : ~- Followmg Wayne State he was a ppointed Direc tor of Bands at i\\I1ch1gan
 
ru\\tnity, where he also stayed for 3 years before coming to the Univers
ity of 
1 musical · • . . . 
. 
of , \_ trammg was m the public schools of M 1ch1gan "here he was a p n
,·ate 
L.COnard S . h . 
. d 
•
1 
and m,t , the well-known cornet and trumpet nrtuoso. H e recel\\-C
 
doctorate mhaster's degrees from Wayne State Univers ity in D etroit , and 
later earned 
~t l e U niversity of Michigan, Ann Arbor. 
Ofgan,zed and co d . conducted his first band and orchestra wh ile in his late teen
s and 
liaa appear:ductmg at T anglewood, swnmer home of the Bos ton Symphony Orches tra. 
States andasCgueSt conductor, adjud icator, cl inician, and lecturer throug
hout the 
. -IICt opera . anada. Along with a very busy work schedule, he has foun
d time 
Concert b;~ and Broadway perfonnances, commun ity symphony orc hestras. cou1-
~r mem s, and a church choir. 
of the o\_f the American School Band Directors Association. he 
is also a 
· n, Om,·c cncan Bandmasters Association the College Band Directors :\\'ationa
l 
ron DI ' ' ,School B d eta Kappa. an honorary member of Phi Beta \\[u , 
and the 
lps in Phi: and Orchestra Association. His professional affiliations include ':i.: ~cipie u Alpha and Phi Delta K appa. :\\.S.B.D~~-oite National ~and Association C lTAT JO ;s; OF EX CELLE:--:CE 
t~lcct of theAmWI\_N FRA:\\'K O COLDl\\L--\\:\\" .\\W.\\RD . H e was recently ele
cted 
encan Bandmasters Association. 
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JAMES W. HILE, Visiting Assistant Director of Bands James Hile is serving as Visiting Assistant Director of Bands at the University of Illinois In this capacity he conducts the first Concert Band and the British Brass Band. He als assists with both the marching and basketball bands and with various other aspects of the university band program, Hile taught at Santa Monica High School from 1977-84 where he developed one of the finest high school band programs in California. His high school marching band concert band, wind ensemble, and jazz ensemble were consistent recipients of superior ratings. He served as assistant orchestra director and taught music fundamentals, harmony and music appreciation. He holds a bachelor's degree from the University of California at Los Angeles and a master's degree from the University of Illinois. He is currently working toward an Ed.D. at the University of Illinois and has studied conducting with Dr. Harry Begian and the late Dr. Clarence E. Sawhill. He is gaining a reputation as an ananger having done marching band arrangements for several major university marching bands and numerous high school bands. He has studied band transcription with Dr. Mark Hindsley and is currently working on several new transcriptions for the band medium. Ilile has received several awards for outstanding teaching and in 1983 was awarded the CITATION OF EXCELLENCE from the National Band Association. THE SYMPHONIC BANDS The Symphonic Band and the Symphonic Band II maintain complete symphonic instr mentations for the study and performance of significant band literature, and are open to those who have attained a high level of musical and technical proficiency on their instruments. Both bands perform numerous concerts on the campus; the Symphonic Band also appears in many Illinois and other midwestern cities. WIND ENSEMBLE The University of Illinois Wind Ensemble is made up of some of the finest wind and percussion instrumentalists in the School of Music. Founded in 1958 by Dr. Robert Gra the group is dedicated to the study and performance of wind chamber compositions Performers are assigned on a system of one-person-per-part with rotating principals. With the recent reorganization of the University Bands as a division of the School of Music, the Wind Ensemble has become an ensemble of University Bands and is currently conducted by Professor James Keene. THE CONCERT BANDS In addition to the two symphonic bands, there are three fine concert bands-the Fint been a noticeable technical improvement in the Concert Bands. This development is particularly remarkable because the Symphonic Bands now take nearly 200 outstanding players before the membership of the other bands is determined. In recent years Univer sity Bands has made every effort to show it is interested in enrolling all students whe enjoyed their high school band experience and wish to pursue it at the university level More and more incoming students realize that this is a sincere interest, causing an upsurge in enrollment and technical ability. THE MARCHING ILLINI The Marching Illini Band provides another type of performance through a University of Illinois students. All students are eligible to become memnity for all bands audition. The Marching Illini has 220 members in the marching block, a 36-member flag corps, 40 Illiniettes (a girls dance corps), three drum majors, feature twirlers, and In a regular foothall season, the Marching Illini usually performs at six home games, co away game, and at a professional football game. Each fall finds this famed band i Chief Illiniwek. thick of excitement and pageantry of Big Ten football. and in the Flute KATHY WYLIE SUSAN NELSON KATHERINE DEJONGHI PATRICIA LAKIN KIM KNUDSON AMY WORRA ALEXIA LAWRISUK ERICA ROGERS BECKY MALOY Piccolo HEATHER LANDES Oboe MIKE MILLER JULIA HINDSLEY ANN GOODNER English Hom ANN GOODNER Bassoon KEVIN MCGUIRE SUSAN KLIER McLORAINE Contra-Bassoon Tx McLORAINE Clarinet KAREN DEBAUCHE Clarinet GREGORY CUNNINGHAM JAMES WAECHTER JOON CHANG JANET PINTO CAROL PIERCE VIRGINIA CLAIRE CAMELO LA MODLIN HGH HIORNS CAROL PATTERSON KERRY QUINN MINNA EDWARDS ELISA KRIZ SANDY POTKAY MARLA FEENEY BRYANT ANDERSON Personnel SYMPHONIC BANDSPRING 1986 B Clarinet (continued) ANUELA PENN BETH SAMFORD JUDY JANTZEN Bass Clarinet GEORGE CATON JOHN HOLT MELISSA MILLER Contrabass Clarinet TIM HURLBUTT String Bass DAVID ECCLES THOMAS HAWLEY Saxophone SHEILA CONNOR DAN FARRIS LORA DORTON JAMES WALLING SCOTT BALDWIN Cornet AMY GILREATI SCOTT WOOD NANCY YONCO RICK ANDERSON SUZANNE BEATY LINWOOD MA RICKEY OETH AMY WOLTER STEVEN ANDERSON MICHELLE KAMINSKI Trumpet MIKE CALDWELL CHRIS DOLSKE Ivo BRAUN JOEL REPLOGLE French Horn PETER JIROUSEK SHARA RADABAUGH TAMARA CHOMENKO CHRISTY HOFFMAN BARBARA ARMSTRONG PHIL KLICKMAN KENT WALLBRUCH KRISTIN HARTY Trombone JON LINDSEY JOHN SPALDING MARK RABIDRAU TOM GODFREY JAMES ANDERSON JODI VANHEIL SCOTT CASAGRANDE STEPHEN HOUTMAN Euphonium ANGLE HENTER ROBERT HILL SHARIE HUFF MARK JIROUSEK Tuba GERALD CATES BILL CHAMBERLAIN MARK TRUCKENBROD Том МаСомв JOHN HEATH Timpani JOHN EIFERT Percussion CARMEL GROSS LISA-ANN LINGNER DONALD HARKINS STUART STEIN JAMES HORWICH Piano ANNE FERGUSON Harp Joy BIERNACKI * Co-principals Thursday, May 1, 1986 8:00 p.m. ve Everett ell Davies ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

JAMES W. HILE, Visiting Assistant Director of Bands 
James Hile is serving as Visiting Assistant Director of Bands at the Universit of IDi 
In this capacity he conducts the first Concert Band and the British Brass B: d He 
assists with both the marching and basketball bands and with various other as n · ol 
uni,·ersity band program. !)CCII 
Hile taught at Santa Monica High School from 1977- 84 where he developed 
of the finest high school band progi:ams in California. His ~igh school marching 
concert hand, w,nd ensemble, and Jazz ensemble were consistent recipient.. of 
,a tings. H e sen·cd as assistant orchestra director and taught music fundamentals 
and music appreciation. ' 
He holds a bachelor·s degree from the Lini,·ersity of California a t Los Angeles 
mastcr·s degree from the University of Ill inois. H e is currently working toward an 
at the University of lllinois and has studied conducting with Dr. Harry Begian ud 
late Dr. Clarence E. Sawhill. 
I le is ga ining a r<'putation as an arranger having done marching band arran~ 
several major university marching bands and numerous high school bands. He hu 
band transcription with Dr. Mark Hindsley and is currently working on several 
transcriptions for the band medium. 
Hile has received several awards for outstanding teaching and in 1983 
CITATION OF EXCELLENCE from the National Band Association. 
THE SYMPHONIC BANDS 
The Symphonic Band and the Symphonic Band II maintain complete symphonic 
rnentations for the study and performance of significant band literature, and 119 
to those who have attained a high level of musical and technical proficiency 
instruments. Both bands perfonn numerous concerts on the campus; the Symphoaie 
also appears in many lllinois and other midwestern cities. 
WIND ENSEMBLE 
The University of Illinois Wind Ensemble is made up of some of the finest 
percussion instrumentalists in the School of Music. Founded in 1958 by Dr. Robed 
the group is dedicated to the study and performance of wind chambe\_r ~' 
Performers are assigned on a system of one-person-per-part with rotating prma: 
With the recent reorganization of the University Bands as a division of thl; 
Music, the Wind Ensemble has become an ensemble of University Bands and 11 
conducted by Professor James K eene. 
THE CONCERT BANDS 
In addition to the two symphonic bands, there are three fine concert bands-
Concert Band and two sections of the Second Concert Band. O ver the 
been a noticeable technical improvement in the Concert Bands. This des 
particularly remarkable because the Symphonic Bands now take nearly 
200 
players before the membership of the other bands is determined. In recent 
sity Bands has made every effort to show it is interested in enrolling all ~
1 
enjoyed their high school band experience and wish to pursue it at the .. 
More and more incoming students realize that this is a sincere interest, causinJ 
in enrollment and technical ability. 
THE MARCHING ILLIN I uoitr 
The Marching Illini Band provides another type of performance ;~~rs 
Uni,·ersity of Illinois students. All students are eligible to beco;:-eg bloek, a 
bands audition. The J\\Iarching Illini has 220 members in the mll;fc infeat 
flag corps, 40 llliniettes (a girls dance corps ), three drum maJors, 
Chief l lliniwek . . ho!¢ 
. . . all f rms at sJ.)( ed I n a regular football season, the Marchmg Ilhm usu Y per O d this faDl 
a,rny game, and at a professional football game. Each fall fin 5 
thick of excitement and pageantry of Big Ten football. 
YLIE 
LSON 
DEJONGH 
KIN 
ON 
RA 
WRISUK 
ERS 
LOY 
l°NNINGHAM 
IITF.R 
·o 
·o 
.CE 
llUtELQ 
INEk 
JbollNs 
PATTt:llSoN 
f2t1NN 
F.owAans 
~y 
P11H£v 
Atcnt.soN 
Perso1111el 
SYMPHONIC BAND - SPRING 1986 
Bo Cla rinet (continued) 
.e\\ 1'GELA PEN1' 
BETII SA)IFORD 
Jt·oy JA NTZEN 
Bass Clarinet 
GEORGE CATO:< 
]011:-: HoLT 
MELISSA M1LI.ER 
Contrabass Clarinet 
TD! I-h·RLBl "'IT 
String Bass 
DAVID ECCLES 
T110~1AS HAWLEY 
Saxophone 
SHEILA CONNOR 
DAN FARRIS 
LORA DORTON 
JAMES WALLI NG 
S COTT BALDWIN 
Cornet 
A)IY GILREATJI 
ScoTT vVoon 
NANCY YoNCO 
RICK ANDERSON 
St' ZANNE BEATY 
LI:<11'00D MA 
RICKEY OETII 
A~1Y WOLTER 
STEVEN ANDERSON 
MICHELLE KA)IINSKI 
Trumpet 
MIKE CALDWELL 
CHRIS DoLsKE 
Ivo BRAt"N 
JOEL REPLOGLE 
French Horn 
PETER J IROUSEK 
SHARA RADABAl'GJI 
TAMARA CHOMENKO 
CHRISTY HOFDIA N 
BARBARA ARMSTRONG 
PmL KLICKMAN 
KENT WALLBR l ' CII 
KRISTIN HARTY 
Trombon e 
.foN LI NDSEY 
.) 0111' SPALIJl:<G 
N[ARK R ABll)EAI " 
To~r GODFREY 
J A)IES ANDERSON 
j olll VANHE1L 
ScoTT C:ASAGRA1'1JE 
STEPHEN I I on-~1A:-: 
Euphonium 
A1'GIE J-11 -NTER 
ROBERT J-I1LL 
SHARIE Ht ·FF 
MARK ]I ROl "SEK 
Tuba 
GERALD CATES 
Bil.I. C11A~IBERLAIN 
MARK TR! "CKENBROD 
ToM M cCorn, 
Jo11 N lIEAT II 
Timpani 
]OII N EIFERT 
Percussion 
CARMEL GROSS 
LISA-ANN LINGNER 
D ONALD J-IARKl1'S 
Sn-ART STEIN 
J AMES J-IORWIC II 
Piano 
A NNE FERGl"SON 
Harp 
Joy BIERNACKI 
* Co-princip~I , 
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THE UNIVERSITY OF ILLINOIS COLLEGE OF FINE AND APPLIED ARTS Jack McKenzie, Dean Alexander Murray, Flute Blaine Edlefsen, Oboe Sanford Berry, Bassoon Howard Klug, Clarinet Joseph Lulloff, Saxophone SCHOOL OF MUSIC Robert Bays, Director Wind and Percussion Division Michael Tunnell, Ray Sasaki, Trumpet Thomas Holden, French Horn Robert Gray, Trombone Fritz Kaenzig, Tuba and Euphonium Thomas Siwe, Frederick Fairchild, Percussion UNIVERSITY BANDS STAFF James F. Keene, Director of Bands Gary Smith, Associate Director James Hile, Visiting Assistant Director Eldon Oyen, Assistant to the Director Phyllis Danner, Librarian Ruth Reifsteck, Secretary Frederick Fairchild, Percussion Harvey Hermann, Woodwinds John Heath, Band Conducting Intern Daniel Farris, Graduate Assistant Bill Chamberlain, Graduate Assistant Marianna McDermott, Graduate Assistant William Olson, Announcer For further information concerning THE SCHOOL OF MUSIC Write or call JOIN BINGHAM, Assistant Director School of Music 3034 Music Building 1114 West Nevada Urbana, IL 61801 (217) 244-0551 ve Everett You are the Center ell Davies Thursday, May 1, 1986 8:00 p.m. ord ever Tipei urel Stroe Retzke, er, Tom Godfrey, Breton, zara and anifer Ohman

Alexander Murray, Flute 
Blaine Edlefsen. Oboe 
Sanford Berry, Bassoon 
H oward Klug, Clarinet 
Joseph Lul!off, Saxophone 
THE UNIVERSITY OF ILLI NOIS 
COLLEGE OF FINE AND APPLIED ARTS 
Jack M cKenzie, D ean 
SCHOOL OF MUSIC 
Robert Bays, Director 
Wind and Percu ss ion Div ision 
Mi chael Tunne ll , Ray Sasaki, Tru 
Thomas H olden, French Horn 
R obert Gray, T rombone 
Fritz K aenzig, Tuba and Euphoniu 
Thomas Siwe, Frederick Fairchild, 
UNIV ERSITY BANDS STA FF 
J ames F. Keene, Director of Bands 
Gary Smith, A ssociate D irector Harvey H ermann, Woodwinds 
J ohn H eath, Band Conducting In 
Daniel Farris, Graduate Assistant 
Bill Chamberlain, Graduate Assist, 
Marianna M cDermott, Graduate 
William Olson, Announcer 
J ames Hile, Visiting A ssistant Director 
Eldon Oyen, A ssistant to the D irector 
Phyllis Danner, Librarian 
Ruth Reifsteck, Secretary 
Frederick Fairchi ld , Percussion 
For further information concerning 
THE SCHOOL OF MUSIC 
Write or ca ll 
JOHN B1i\\'.GHAM, Assistant Director 
School of Music 
3034 Music 13uilding 
1114 West NcYada 
Urbana, IL 61801 
(217 ) 2..J.4-0551 
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