104 105 UNIVERSITY OF ILLINOIS SYMPHONY ORCHESTRA VIOLIN I Marshall Johnson, Concertmaster James Skidmore Suzanne Kelly PERSONNEL CELLOS (Cont'd) Dale Newton Jon Kozuch Cheryl Fippin Alan Lynn Doepke, or Jane Reterstoff Norma Campbell Dianne Fitzpatrick John Lindsey Richard Fuchs Carla Lehmann Helen Schadd Jane Smaardyk Paula Eatman Jean Kordick Mary Nicksarlian VIOLIN II Sue Chinnell Kristin North Karla Gustie Steven Sterba Barbara Lange Sr. Marion Etzel Marthea Ray Eugenia Frith Grace Beckett Jo Ann Redman Jane Franklyn Linda Cheng Ellen Jacobs Charles Kay VIOLAS Arthur Klima Carol Deak Karrell Johnson Linda Vana Sharon Brace Paul Chouinard Jody Van Dresser Patricia Shanks CELLOS Robert Gordon Hubert Ort Jill Hartman BASSES Jon Deak Pamela Andrews Christopher Byrne Jane Tomisek James Pacholki Bonnie Rosenbaum Dale Day Mary Benard FLUTES Ann Kozuch Cynthia Love Ruth Mayland PICCOLO Ellen Rosen OBOES John Dimond Louis Hall Cleve Fenley ENGLISH HORN Benjamin Woodruff CLARINETS Mac Cantrell William Schontz Robert Quade BASS CLARINET William Black ALTO SAXOPHONE BASSOONS John Patton John Deppe CONTRA BASSOON Eugene Scholtens FRENCH HORNS John Glover James Keys Michael Brickey Marsha Matteoni David Parks George Sullivan TRUMPETS James Darling John Bauser David Tasa TROMBONES Robert Weiss John Sexton John Hecker TUBA James Plondke HARP Joyce Rosenfield⭑ PIANO AND HARPSICHORD Karol Sue Gagstetter TIMPANI Richard Kvistad PERCUSSION Michael Udow Robert Rosen Dennis Melhouse James Nelmes James Theobald *Faculty Roger Hallmark The Krannert Center for the Performing Arts Great Hall UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN Saturday, May 17, 1969 8:00 p.m. The School of Music presents THE UNIVERSITY OF ILLINOIS SYMPHONY ORCHESTRA Bernard Goodman, Conductor with Guest Soloists Jon Crain, Tenor and Beverly Wolff, Contralto COMING EVENTS Thursday, March 6, 8:00 p.m.-Graduate Recital, Sarah Young Spears, Contralto, Smith Music Hall Saturday, March 8, 8:00 p.m.-Graduate Recital, Kenneth Powell, Organ, Smith Music Hall Sunday, March 9, 4:00 p.m.-Graduate Recital, Marilyn Winter, Soprano, Smith Music Hall

'v> "' UNIVERSITY OF ILLINOIS SYMPHONY ORCHESTRA 
PERSONNEL 
VIOLIN I CELLOS (Cont'd) BASSOONS 
Marshall J ohnson, Dale Newton John Patton 
Concertmaster Jon Kozuch John Deppe 
James Skidmore Cheryl Fippin 
CONTRA BASSOON Suzanne Kelly Alan Robertson 
Lynn Doepke Jane Reterstoff Eugene Scholtens 
Norma Campbell Hubert Ort FRENCH HORNS Dianne Fitzpatrick Jill Hartman 
John Lindsey John Glover 
Richard Fuchs BASSES James Keys 
Carla Lehmann Jon Deak Michael Brickey 
Helen Schadd Pamela Andrews Marsha Matteoni 
Jane Smaardyk Christopher Byrne David Parks 
Paula Eatman Jane Tomisek George Sullivan 
Jean Kordick James Pacholki TRUMPETS Mary Nicksarlian Bonnie Rosenbaum 
Dale Day James Darling 
VIOLIN II Mary Benard John Bauser 
Sue Chinnell David Tasa 
Kristin North FLUTES 
Karla Gustie Ann Kozuch TROM
BONES 
Steven Sterba Cynthia Love Robert Weiss 
Barbara Lange Ruth Mayland John Sexton 
Sr. Marion Etzel John Hecker 
Marthea Ray PICCOLO TUBA 
Eugenia Frith Ellen Rosen James Plondke Grace Beckett 
Jo Ann Redman OBOES HARP 
Jane Franklyn John Dimond Joyce Rosenfield* Linda Cheng Louis Hall 
Ellen Jacobs Cleve Fenley PIANO AND HARPSICH0I> 
Charles Kay 
ENGLISH HORN Karol Sue Gagstetter 
VIOLAS Benjamin Woodruff TIMPANI 
Arthur Klima Richard Kvistad 
Carol Deak CLARINETS 
Karrell Johnson Mac Cantrell PERCUSSION 
Linda Vana William Schontz Michael Udow 
Sharon Brace Robert Quade Robert Rosen 
Paul Chouinard Dennis Melhouse 
Jody Van Dresser BASS CLARINET James Nelmes 
Patricia Shanks William Black James Theobald 
CELLOS ALTO SAXOPHONE *Faculty 
Robert Gordon Roger Hallmark 
COMING EVENTS 
. h young Thursday, March 6, 8:00 p.m. - Graduate Recital, Sara 
Spears, Contralto, Smith Music Hall JI 
h powe ' Saturday, March 8, 8 :00 p.m. - Graduate Recital, Kennet 
Organ, Smith Music Hall . ter 
. Win • Sunday, March 9, 4:00 p.m. - Graduate Recital, Manlyn 
Soprano, Smith Music Hall 
'fhe Krannert Center for the Performing Arts 
Great Hall 
UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 
Saturday, May 17, 1969 
8:00 p.m. 
The School of Music 
presents 
THE UNIVERSITY OF ILLINOIS 
SYMPHONY ORCHESTRA 
Bernard Goodman, Conductor 
with Guest Soloists 
Jon Crain, Tenor 
and 
Beverly Wolff, Contralto 

106 107 Adagio for Orchestra (1961) PROGRAM Gordon Binke Mr. Binkerd has degrees from South Dakota Wesleyan, the University of Roches and Harvard University. Bernard Rogers and Walter Piston have been his teachen composition. He has received commissions from the Fromm Foundation, the Yo Foundation, and the St. Louis Symphony Orchestra. His first two symphonies been recorded, as well as his "Sonata for Piano" and his choral work "Aspects Jesus." The "Adagio for Orchestra" was written while he was a member of the Ce for Advanced Study at the University of Illinois, and received its first performance the University of Illinois Symphony Orchestra on November 17, 1961. He has be Guggenheim Fellow, and received an award from the National Institute of Arts a Letters. He has been a member of the faculty of the School of Music of the Univesi of Illinois since 1949. As Quiet As (1966) A Leaf Turning Colors An Uninhabited Creek An Ant Walking Children Sleeping Time Passing A Soft Rainfall The First Star Coming Out Michael Colgras Michael Colgrass was a percussion major at the School of Music of the University Illinois and received his Bachelor of Music degree in 1954. After military service i the Seventh Army Symphony Orchestra, he took up the serious study of compositi He currently resides in New York City, where he is active both as a performer and a composer. He has been the recipient of various grants including a Guggenheim Fellow ship. As Quiet As was commissioned by the Fromm Music Foundation for the Be shire Music Center Orchestra at Tanglewood. It premiered in August 1966, Gunther Schuller conducting. The work has since been performed and recorded by the Boston Symphony Orchestra under the direction of Erich Leinsdorf. This is the f performance of As Quiet As in Champaign-Urbana. Mr. Colgrass has contributed following comments: As Quiet As was inspired by the answers of fourth-grade children asked by their teacher complete the sentence beginning. "Let's be as quiet as...." From the twenty-one swers compiled by Constance Fauci and printed in The New York Times in Decembe My purpose was to depict the very nature of each metaphor, as if I were demonstrating 1961, I chose seven that seemed to make a nature study as might be perceived by a chil a blind person the essence of a leaf as it changes color, of a creek abandoned ever birds, and of an ant or many ants-skittering about. 1800 to the present-Haydn, Sibelius, Ravel, Stravinsky, Count Basie as if one w "Children Sleeping" and "Time Passing" are like a dream sequence. Following breathing and heartbeats, a sonatina written by Beethoven as a child appears through montage of "sleeping sounds," and then re-appears fragmentarily in musical styles f taking a fleeting glance at music history moving through time. The jazz is interrupted a distant "sound" which ends the dream, and the last setting (Webern) is in post-war "A Soft Rainfall" and "The First Star Coming Out" are the spring and summer countr parts of the autumnal leaf and creek, and are related musically as well. The creek is a rainfall, and the leaf a soft blanket of night across which stars flicker like a million rain- drops turned to crystal. As Quiet As is dedicated to children, with love and hope. von der Erde (1908) Das Lied (The Song of the Earth) INTERMISSION A Symphony for Tenor, Contralto, and Orchestra Soloists: Jon Crain and Beverly Wolff Das Trinklied vom Jammer der Erde Der Einsame im Herbst Von der Jugend Gustav Mahler Von der Schonheit Der Trunkene im Fruhling Der Abschied The Song of the Earth, based on Hans Bethges' Chinese Flute, was completed at Toblach in the Tyrol in 1908 after Mahler's return from America. On November 20, 1908, six months after Mahler's death, Bruno Walter conducted the first performance. Tonight's performance is the first in Champaign-Urbana. The following translations from the German arc by Steuart Wilson. The Drinking Song of Earth's Sorrow See how it gleams, with golden enticement, But drink not yet, I'll sing you my song! I sing of sorrow, but laughter Within your heart must give answer. When such sorrow comes, Dry is the soul, its gardens are withered, Fading and dead the pleasure of our song. Life is only twilight, so is death. Host, I salute you, Your cellar hides a treasure of gold in its veins, But I have a treasure of my own. To strike the lute and to drink the wine-cup, These are the things that best consort together. A brimming cup of wine, when hearts beat faint, Is better than all the kingdoms of the earth. Life is only twilight, so is death. The blue of heaven is unchanging, And unchanging the earth rolls onward And blossoms in spring. But thou. O man, how long livest thou? Why not one hundred years canst thou take pleasure In all the rotten fruit of life's long vanity. See there! Over there! In the moonlight, in the churchyard, Gibbers a ghost with evil in its shape. It is a monkey! Hear him,

<O\\O 
PROGRAM 
Adagio for Orchestra 11961) Gordon Binf 
Mr. Binkerd has degrees from South Dakota Wesleyan, the University of Roch Iii and Harvard University. Bernard Rogers and Walter Piston have been his teach~ composition. He has received commissions from the Fromm Foundation, thee; Foundation, and the St. Louis Symphony Orchestra. His first two symphonies been recorded, as well as his "Sonata for Piano" and his choral work "Aspe · Jesus." The "Adagio for Orchestra" was written while he was a member of the ~Is. for Advanced Study at the University of Illinois, and received its first perfonnan en: the University of Illinois Symphony Orchestra on November 17, 1961. He has b;c Guggenheim Fellow, and received an award from the National Institute of Arts en. Letters. He has been a member of the faculty of the School of Music of the Unive: of Illinois since 1949. 
As Quiet As 11966) 
A Leaf Turning Colors 
An Uninhabited Creek 
An Ant Walking 
Children Sleeping 
Time Passing 
A Soft Rainfall 
The First Star Coming Out 
Michael Colgraa 
Michael Colgrass was a percussion major at the School of Music of the University Illinois and received his Bachelor of Music degree in 1954. After military service· the Seventh Army Symphony Orchestra, he took up the serious study of compositi, He currently resides in New York City, where he is active both as a performer and composer. He has been the recipient of various grants including a Guggenheim Fellow-ship. As Quiet As was commissioned by the Fromm Music Foundation for the . shire Music Center Orchestra at Tanglewood. It premiered in August 1966, w Gunther Schuller conducting. The work has since been performed and recorded by Boston Symphony Orchestra under the direction of Erich Leinsdorf. This (s th~ performance of As Quiet As in Champaign-Urbana. Mr. Colgrass has contribute following comments: 
As Quiet As was inspired by the answers of fourth-grade children asked by their teac:er complete the sentence beginning, "Let's be as quiet as .... " From the twenty-on swers compiled by Constance Fauci and printed in The New York Tim ~s in De:ec 1961, I chose seven that seemed to make a nature study as might be perceived by tilll My purpose was to depict the very nature of each metaphor, as if I were demon~t~,-cn a blind person the essence of a leaf as it changes color, of a creek abandone birds, and of an ant - or many ants - skittering about. . 
"Children Sleeping" and "Time Passing" are like a dream sequence. Foil0"~: breathing and heartbeats, a sonatina written by Beethoven as a child ap~ears : .JeS montage of "sleeping sounds," and then re-appears fragmentarily in musical.; ~pe 1800 to the present - Haydn, Sibelius, Ravel, Stravinsky, Count Basie---;-- ~s I roPied taking a fleeting glance at music history moving through time. The jazz ~s inte;."•ar a distant "sound" which ends the dream, and the last setting {Webern) is m P05 c 
"A Soft Rainfall" and "The First Star Coming Out" are the spring and summe:ek iJ parts of the autumnal leaf and creek, and are related musically as well. The er 
. all, and the leaf a soft blanket of night across which stars flicker like a million rain-• raiJ1f ned to crys ta!. 
dtoP5 i\_ur As is dedicated to children, with love and hope. .41'2"''' 
Lied von der Erde 11908) 
oo• (The Song of the Earth) 
INTERMISSION 
Gustav Mahler 
A Symphony for Tenor, Contralto, and Orchestra 
Soloists: Jon Crain and Beverly Wolff 
Das Trinklied vom Jammer der Erde 
Der Einsame im Herbst 
Von der Jugend 
Von der Schonheit 
Der Trunkene im Fruhling 
Der Abschied 
The Song of the Earth, based on Hans Bethges' Chinese Flute, was completed at Toblach in the Tyrol in 1908 after Mahler's return from America. On November 20, 1908, six months after Mahler's death, Bruno Walter conducted the first performance. Tonight's performance is the first in Champaign-Urbana. The following translations from the German are by Steuart Wilson. 
The Drinking Song of Earth's Sorrow 
See how it gleams, with golden enticement, 
But drink not yet, I'll sing you my song! 
I sing of sorrow, but laughter 
Within your heart must give answer. 
When such sorrow comes, 
Dry is the soul, its gardens are withered, 
Fading and dead the pleasure of our song. 
Life is only twilight, so is death. 
Host, I salute you, 
Your cellar hides a treasure of gold in its veins, 
But I have a treasure of my own. 
To strike the lute and to drink the wine-cup, 
These are the thin"s that best consort together. 
brimming cup of wine, when hearts beat faint, Li bc~ter than all the kingdoms of the earth. 
fc is only twilight, so is death. }!c blue of heaven is unchanging, An: unchanging the earth rolls onward But blossoms in spring. 
\\Vb thou, 0 man, how long livest thou? 
In ~tot one hundred years canst thou take pleasure 
the rotten fruit of life's long vanity. 
In thtbcre! Over there! 
c mo I' h 0t'bbc on 1g t, in the churchyard, 
It ia rs a ghost with evil in its shape. a monkey! H ear him 
' 

1.08 How his howling sounds strident In our life's sweet scented morning. So raise your cups, the time has come, companions, Empty your golden cups to the heel! Life is only twilight, so is death. Autumn Loneliness Grey autumn mists are drifting off the sea And, touched with frost, the grass stands stiff and brittle As if some artist hand had scattered powder, Dusting on every leaf the finest jade. The scent of summer flowers is forgotten, A chilly wind blows crackling stalks together. Soon will the leaves of fading lotus-blossoms Display upon the pond their golden span. I, too, feel weary. See my flick'ring light Burns low and lower, it is time to go to sleep. I come to you, truest house of quiet, O give me sleep, for I have need of rest. My tears flow on in lonely desolation. The autumn seems in my heart to be eternal. O love's warm sunshine, have you gone forever And will my burning tears be never dried? Youth In the water, on a little island All of green and egg-shell china, Stands a dainty summer-house. Like the tiger's back a-curving Springs the arch of jade to cross it, To this summer-house of dreamland. In the parlor friends are sitting, Clad in silk, and drinking, chatting, Writing endless little verses. How their silken sleeves are slipping. How their silken caps sit perching On those jolly heads a-wagging! In the tiny, tiny pattern's Quiet, quiet pool of water See the world reflected lies In mirror marvelous. All those friends are topsy-turvy In that world of egg-shell china, In that dainty summer-house. Like a sickle moon the bridge is, Upside down its arches; while the friends In silk and satin Drink and chatter. Beauty See the maidens picking flowers, Picking lotus flowers by the grassy river banks. In the bushes and leaves they hide themselves, Gathering flowers, Gathering flowers in their laps And calling one to the other in teasing fun. See the sunshine weaves a web around them, Mirrors all their laughing grace in water. Sunshine mirrors all their slender beauty, Mirrors their sweet eyes in water, And the winds of spring with soft caresses Waft on high their flowing silken sleeves, Bear the magic of their pleasing odour through the air. O, sec, a company of lovely lads Comes riding along the bank on prancing horses, Shining far off like the sun at noonday; See, through the leafy lanes of silvery willows Trots that gallant young company! The horse of one of them delighted Wheels and neighs, curvetting round; Over all the flowers trample heavy hoof-beats, As they bruise in sudden storm The tender hidden blossoms. How their manes toss in tangled riot, Breathing fire from steaming nostrils. See the sunshine weaves a web around them, Mirrors all their laughing grace in water. And the fairest of those lovely maidens Sends a parting glance of longing love (For her proud demeanor is all pretending). In the sparkle of her lustrous glances, In the darkness of her flushing cheeks, That stabbing pain of love's awakening vibrates still. Wine in Spring Since life is nothing but a dream Why toil and sweat away? I drink until my belly's full And laugh the livelong day! And when there's no more room inside, I've drunk so hard and deep, 109

\\\\}4> 
How his howling sounds strident 
In our life's sweet scented morning. 
So raise your cups, the time has come, companions, 
Empty your golden cups to the heel! 
Life is only twilight, so is death. 
Autumn loneliness 
Grey autumn mists are drifting off the sea 
And, touched with frost, the grass stands stiff and brittle 
As if some artist hand had scattered powder, 
Dusting on every leaf the finest jade. 
The scent of summer flowers is forgotten, 
A chilly wind blows crackling stalks together. 
Soon will the leaves of fading lotus-blossoms 
Display upon the pond their golden span. 
I, too, feel weary. See my flick'ring light 
Bums low and lower, it is time to go to sleep. 
I come to you, truest house of quiet, 
0 give me sleep, for I have need of rest. 
My tears flow on in lonely desolation. 
The autumn seems in my heart to be eternal. 
0 love's warm sunshine, have you gone forever 
And will my burning tears be never dried? 
Youth 
In the water, on a little island 
All of green and egg-shell china, 
Stands a dainty summer-house. 
Like the tiger's back a-curving 
Springs the arch of jade to cross it, 
To this summer-house of dreamland. 
In the parlor friends are sitting, 
Clad in silk, and drinking, chatting, 
Writing endless little verses. 
How their silken sleeves are slipping. 
How their silken caps sit perching 
On those jolly heads a-wagging! 
In the tiny, tiny pattern's 
Quiet, quiet pool of water 
See the world reflected lies 
In mirror marvelous. 
All those friends are topsy-turvy 
In that world of egg-shell china, 
In that dainty summer-house. 
Like a sickle moon the bridge is, 
Vpside down i\_ts arches; while the friends 
In silk and satm 
!)rink and chatter. 
BeGUIY 
See the maidens picking flowers, 
Picking lotus flowers by the grassy river banks. 
In the bushes and leaves they hide themselves, 
Gathering flowers, 
Gathering flowers in their laps 
And calling one to the other in teasing fun. 
See the sunshine weaves a web around them, 
Mirrors all their laughing grace in water. 
Sunshine mirrors all their slender beauty, 
Mirrors their sweet eyes in water, 
And the winds of spring with soft caresses 
Waft on high their flowing silken sleeves, 
Bear the magic of their pleasing odour through the air. 
0, see, a company of lovely lads 
Comes riding along the bank on prancing horses, 
Shining far off like the sun at noonday; 
See, through the leafy lanes of silvery willows 
Trots that gallant young company! 
The horse of one of them delighted 
Wheels and neighs, curvetting round; 
Over all the flowers trample heavy hoof-beats, 
As they bruise in sudden storm 
The tender hidden blossoms. 
How their manes toss in tangled riot, 
Breathing fire from steaming nostrils. 
the sunshine weaves a web around them, ~;ors all\_ their laughing grace in water. 
Sen the fairest of those lovely maidens 
(F ds a parting glance of longing love 
In°~ her proud demeanor is all pretending ) . In~: j arkle of her lustrous glances, 
1'ha ar~ess of her flushing cheeks, 
t Slabbmg pain of love's awakening vibrates still. 
Ytlne in Spring 
Since life. . \\Vhy to' I is nothmg but a dream 
I dtinJc I a~d sweat away? 
.\\n<f la u~til my belly's full 
.\\iid Whug the livelong day! 
I' en ther ' \\te drunk e s no more room inside 
so h d ' ar and deep, 
Io? 

110 I roll along to home and bed And sleep a lovely sleep! What's that I hear that wakes me? Hark! A bird sings in the blue. I'll ask him if the spring has come. (My dream, has it come true?) The twitters answer "Yes, it's here!" The spring is here as fresh as anything! I look and look and listen hard, The birds all laugh and sing. I fill myself another glass And drink with deep content, And sing until the moon lights up The darkling firmament. When I'm too tired to sing my songs I'll sleep, forgetting pain, For what's the silly spring to me? Let me get drunk again! He spoke, and his voice was veiled: O my friend, while I was in this world My lot was hard. Where do I go? I go, I wander in the mountains, I seek but rest, rest for my lonely heart. I journey to my homeland, to my haven. I shall no longer seek the far horizon. My heart is still and waits for its deliverance. The lovely earth, all, everywhere, Revives in spring and blooms anew, All, everywhere and ever, ever, Shines the blue horizon, Ever...ever... The Farewell The sun is setting out beyond the mountains And evening peace comes down in every valley And shadows lengthen, bringing cool relief. O see, like some tall ship of silver sails The moon upon her course, through heaven's blue sea. I feel the stirring of some soft south-wind Behind the darkling pine-wood. The stream sings as it wanders through the twilight, As evening waxes the flowers grow pale. The earth breathes gently, full of peace and sleep, All our longings sleep at last. Mankind, grown weary, turns homeward, That in sleep, forgotten joy and youth it may recapture. The birds with open eye roost in the branches. The world now sleeps. The air is cool within the pine-wood's shadow; Here will I stand and tarry for my friend. I wait for him to bid the last farewell. O how I long, my friend, once more to see thee, To share the heavenly beauty of this evening. Where art thou? I have been long alone. I wander up and down and make my music O'er pathways that are paved with tender grasses. O Beauty, O life of endless loving. Wild delirious world. He lighted down and proffered him the cup, The parting cup. He asked him whither he was faring And questioned why, why it must needs be so. Please retain your ticket stub, as it may be checked during intermission. The taking of photographs during performances is strictly prohibited.

\\J 
I roll along to home and bed 
And sleep a lovely sleep! 
What's that I hear that wakes me? Hark! 
A bird sings in the blue. 
I'll ask him if the spring has come. 
(My dream, has it come true?) 
The twitters answer "Yes, it's here!" 
The spring is here as fresh as anything! 
I look and look and listen hard, 
The birds all laugh and sing. 
I fill myself another glass 
And drink with deep content, 
And sing until the moon lights up 
The darkling firmament. 
When I'm too tired to sing my songs 
I'll sleep, forgetting pain, 
For what's the silly spring to me? 
Let me get drunk again! 
The Farew ell 
The sun is setting out beyond the mountains 
And evening peace comes down in every valley 
And shadows lengthen, bringing cool relief. 
0 see, like some tall ship of silver sails 
The moon upon her course, through heaven's blue sea. 
I feel the stirring of some soft south-wind 
Behind the darkling pine-wood. 
The stream sings as it wanders through the twilight, 
As evening waxes the flowers grow pale. 
The earth breathes gently, full of peace and sleep, 
All our longings sleep at last. 
Mankind, grown weary, turns homeward, 
That in sleep, forgotten joy and youth it may recapture. 
The birds with open eye roost in the branches. 
The world now sleeps. 
The air is cool within the pine-wood's shadow; 
Here will I stand and tarry for my friend. 
I wait for him to bid the last farewell. 
0 how I long, my friend, once more to see thee, 
To share the heavenly beauty of this evening. 
Where art thou? I have been long alone. 
I wander up and down and make my music 
O'er pathways that are paved with tender grasses. 
0 Beauty, 0 life of endless loving. 
Wild delirious world. 
He lighted down and proffered him the cup, 
The parting cup. 
He asked him whither he was faring 
And questioned why, why it must needs be so. 
fie spoke, and his voice was veiled: 
0 my friend, while I was in this world 
MY lot was hard. 
Where do I go? I go, I wander in the mountains, 
I seek but rest, rest for my lonely heart. 
J journey to my homeland, to my haven. 
I shall no longer seek the far horizon. 
My heart is still and waits for its deliverance. 
The lovely earth, all, everywhere, 
Revives in spring and blooms anew, 
All, everywhere and ever, ever, 
Shines the blue horizon, 
Ever . . . ever ... 
...... 
11. '-'ciin Your r k • • • • .,.....\_ oc et stub, a s it ma y be checked during ,nterm1ss1an. 
II of Photag h . · · I h'b't d rap s during pe rform a nces ,s strict y pra 1 ' e · 
( Ii 

112 UNIVERSITY OF ILLINOIS SYMPHONY ORCHESTRA 113 BENJAMIN WOODRUFF, Assistant Conductor VIOLIN I Norma Campbell Lynn Doepke Marshall Johnson Rotating Concertmasters Dianne Fitzpatrick John Lindsey Suzanne Kelly Carla Lehmann Richard Fuchs Jane Smaardyk Helen Shadd Paula Eatman Barbara Caron VIOLIN II Sue Chinnell Kristin North Stephen Sterba Rotating Principal Second Violin Karla Gustie Sr. Marion Etzel Marthea Ray Barbara Lange Eugenia Frith Jo Anne Redman Grace Beckett Ellen Jacobs Jane Franklyn John Terdich Linda Cheng VIOLA Carol Deak Karrell Johnson Arthur Klima Linda Vana Rotating Principal Viola Sharon Brace Jody Van Dresser Patricia Shanks Paul Luczak Paul Chouinard CELLO Robert Gordon Jon Kozuch Dale Newton Rotating Principal Cello Cheryl Fippin Alan Robertson Jane Reterstoff Hubert Ort David Jackson BASS Jon Deak Pamela Andrews Jane Tomisek James Pacholki Bonnie Rosenbaum Dale Day Mary Benard FLUTE Ann Kozuch Cynthia Love Ruth Mayland PICCOLO Ellen Rosen OBOE John Dimond Louis Hall Cleve Fenley ENGLISH HORN Benjamin Woodruff CLARINET Mac Cantrell William Shontz Robert Quade William Black Eb CLARINET Robert Quade BASS CLARINET William Black BASSOON John Patton John Deppe Eugene Scholtens CONTRA BASSOON Eugene Scholten FRENCH HORN John Glover James Keays Michael Brickey Marsha Mattei David Parks George Sullivan TRUMPET James Darling John Bauser David Tasa TROMBONE Robert Weiss John Sexton John Hecker TUBA James Plondke HARP Joyce Rosenfield Mark Schneider CELESTA AND PIANO Paula Haseman TIMPANI Michael Udow MANDOLIN Virginia Farmer PERCUSSION Robert Rosen Dennis Melhouse James Theobald *Faculty RSEY MEN'S GLEE CLUB ARSITY CHORAL CONCERTS

,\\-y r 113 
UNIVERSITY OF ILLINOIS SYMPHONY ORCHESTRA -----
BENJAMIN WOODRUFF, CELLO BASSOON 
Assistant Conductor Robert Gordon John Patton 
Jon Kozuch John Deppe 
VIOLIN I Dale Newton Eugene Scholtens 
Norma Campbell Rotating Principal 
Lynn Doepke Cello CONTRA BAssooN 
Marshall Johnson Cheryl Fippin Eugene Scholtens 
Rotating Concertmasters Alan Robertson 
Dianne Fitzpatrick Jane Reterstoff FRENCH HORN 
John Lindsey Hubert Ort J ohn Glover 
Suzanne Kelly David Jackson J ames Keays 
Carla Lehmann Michael Brickey 
Richard Fuchs BASS Marsha Mattconi 
Jane Smaardyk Jon Deak David Parks 
Helen Shadd Pamela Andrews George Sullivan 
Paula Eatman Jane Tomisek 
Barbara Caron James Pacholki TRUMPET 
Bonnie Rosenbaum James Darling 
VIOLIN II Dale Day J ohn Bauser 
Sue Chinnell Mary Benard David Tasa 
Kristin North 
Stephen Sterba FLUTE TROMBONE 
Rotating Principal Ann Kozuch Robert Weiss 
Second Violin Cynthia Love J ohn Sexton 
Karla Gustie Ruth Mayland J ohn Hecker 
Sr. Marion Etzel 
Marthea Ray PICCOLO TUBA 
Barbara Lange Ellen Rosen J ames Plon.dke 
Eugenia Frith 
Jo Anne Redman OBOE HARP 
id' Grace Beckett John Dimond J oyce Rosenfic 
Ellen Jacobs Louis Hall Mark Schneider 
Jane Franklyn Cleve Fenley 
CELESTA AND Pl.AMO John Terdich 
Linda Cheng ENGLISH HORN Paula f!asernan 
VIOLA Benjamin Woodruff TIMPANI 
Carol Deak CLARINET Michael Vdo'~ 
Karrell Johnson Mac Cantrell CHORAL CONCERTS Arthur Klima William Shontz MANDOLIN filer Linda Vana Robert Quade V . ·a f ar 
Rotating Principal 
irguu 
Viola 
William Black 
PERCUSSION 
Sharon Brace Eb CLARINET Rosen Robert !hO~ 
Jody Van Dresser Robert Quade Dennis MC bald 
Patricia Shanks Theo' 
Paul Luczak BASS CLARINET 
James 
Paul Chouinard William Black *FacultY