17+45 HUDDERSFIELD MUSIC SOCIETY Brochure 2nd Season's programmes 1919 1920 س .................................................. + Xx.rite MSCCPPPE0613 Xx-rite Г MSCCPPCC0613 nich lat. 1 colorchecker --------------------------------- mm ling.

HUDDERSFIELD MUSIC CLUB (Under the auspices of the British Music Society). SEASON 1919 1920. President E. J. BRUCE, Esq., J.P. Musical Director-A. EAGLEFIELD HULL, Esq., Mus. Doc. (Oxon). Committee- H. H. LOCKWOOD, Esq. (Chairman) T. E. PEARSON, Esq., Mus. Doc. (Oxon). HAYDN H, SANDWELL, Esq., F.R.C.O. D. SEGALLER, Esq., D.Sc. J. STANCLIFFE-ELLIS, Esq. Dr. F. W. THORNTON F. W. WHITELEY, Esq. A. L. WOODHEAD, Esq. Hon. Secretary-G. FLEMING, Esq., Clifton Lodge, Edgerton, Huddersfield. Hon. Treasurer-P. LOCKYER, Esq., National Provincial and Union Bank of England, Westgate, Huddersfield. PRESTON BROS. & CO., PRINTERS, HUDD. Music Club. ch E ROSING. Programme One Shllling.

HUDDERSFIELD MUSIC CLUB (Under the auspices of the British Music Society). SEASON 1919 1920. President E. J. BRUCE, Esq., J.P. Musical Director-A. EAGLEFIELD HULL, Esq., Mus. Doc. (Oxon). Committee- H. H. LOCKWOOD, Esq. (Chairman) T. E. PEARSON, Esq., Mus. Doc. (Oxon). HAYDN H, SANDWELL, Esq., F.R.C.O. D. SEGALLER, Esq., D.Sc. J. STANCLIFFE-ELLIS, Esq. Dr. F. W. THORNTON F. W. WHITELEY, Esq. A. L. WOODHEAD, Esq. Hon. Secretary-G. FLEMING, Esq., Clifton Lodge, Edgerton, Huddersfield. Hon. Treasurer-P. LOCKYER, Esq., National Provincial and Union Bank of England, Westgate, Huddersfield. PRESTON BROS. & CO., PRINTERS, HUDD.

THE arrangements for the 1919-1920 Session of the Club now been completed. On the first evening, WEDNESDAY, 8th OCTOBER, Mr. GERVASE ELWES, The Eminent English Tenor, will give his SONG RECITAL, which will include a varied selection of both early and modern English Songs. He will also include, by special request, the famous "Credo" air from the "Dream of Gerontius." On WEDNESDAY, 12th NOVEMBER, the "CATTERALL STRING QUARTETTE," who have already established themselves one of the foremost Quartette Parties in Europe, will give a programme of the most notable pieces of Chamber Music. For the Third Concert on WEDNESDAY, 10th DECEMBER, we have been very fortunate in again securing Mr. VLADIMIR ROSING the most realistic singer who has ever appeared on the concert platform. He has had an amazing vogue in London during the last three seasons, and combines the finest singing with the most intensely dramatic interpretation, Mr. & Mrs. YORK BOWEN who will be the artists on WEDNESDAY, 10th FEB., 1920, have a wide reputation for the great charm and artistry of their combined piano and vocal recitals.

For the last Concert, on WEDNESDAY, 9th MARCH, Mr. WILLIAM MURDOCH, one of the greatest pianists of the present day has been secured. He has twice been chosen by the British Government to tour in Scandinavia as a representative British music executant. In view of the fact that the above series will involve the Club in considerably increased expenditure, the Committee have decided to discontinue the issue of Friend's Ticket, and to issue only Member's Ticket at a subscription of 25/- each for the season. This will include entertainment tax and no charge will be made for programmes. A limited number of Tickets for the Session will be issued to Junior Musical Students at 15/- subject to application being made to the Secretary before 15th September, 1919. The Concerts will commence at 7-45 p.m. punctually. The Committee hope that all who took Member's or Friend's Tickets last year will support the Club in the forth-coming season, and it is hoped that they will do what they can to increase the membership. In order that the Committee may be able to make provision for the accommodation in the limited space at their disposal, all intending members, both old and new, are requested to notify the Secretary or Treasurer as soon as possible. Subscriptions should be paid to the Hon. Treasurer: Mr. P. Lockyer, National Provincial and Union Bank of England, Westgate, Huddersfield.

1-45 HUDDERSFIELD MUSIC CLUB (Under the auspices of the British Music Society). SEASON 1919-1920. WEDNESDAY, OCTOBER 8th, 1919, RECITAL. Early and Modern English Songs, President OF MR. GERVASE ELWES. BY Asst. Secretary E. J. BRUCE, Esq., J.P. Musical Director : A. EAGLEFIELD HULL, Esq., Mus. Doc., Oxon. COMMITTEE : H. H. LOCKWOOD, Esq., (Chairman). J. STANCLIFFE ELLIS, Esq. T. E. PEARSON, Esq., (Mus. Doc., Oxon). HAYDN H. SANDWELL, Esq., F.R.C.O. D. SEGALLER, Esq., D. Sc. Dr. F. W. THORNTON. F. W. WHITELEY, Esq. A. L. WOODHEAD, Esq. Hon. Secretary - G. FLEMING, Esq., Clifton Lodge, Edgerton, Huddersfield. FRANK SOLMAN, Norman Road, Birkby, Hon. Treasurer . P. LOCKYER, Esq., National Provincial and Union Bank of England, Westgate, Huddersfield.

1. "The Self Banished" 2 3. 4. "So Sweet is Shee" 66 "Listen to the Voice of Love" 5. "The Slighted Swain " "Phillis has such Charming Graces" Antony Young. (Arr. Lane Wilson). 1. Sonnet XVIII. 2. "The Heart's Desire" PROGRA 3. "I have Twelve Oxon" Purcell. At the Piano Anon. 17th Century. Sanctus Fortis" (Dream of Gerontius) Hook. Anon. (Arr. Lane Wilson). Elgar. Aikin. Ireland. Ireland. H.

"GRAMME... 4. Serenade 5 "Shy One" 6. "A Visit from the Sea" 7. "Gifts 1. 2. "The Hermit Thrush" 3. "My Life's Delight " 5. 4. "Fair House of Joy" "Weep you no more, sad Fountains " 66 Brittany" 6. "Come to me in my Dreams" 7. "Love went a-riding " H. H. SANDWELL, Esq., F.R.C.O. Cyril Scott. Rebecca Clarke. Colin Taylor. Colin Taylor. Winthrop Rogers. Quilter. ME Quilter. Quilter. Farrar. Frank Bridge. Frank Bridge.

On WEDNESDAY, 12th NOVEMBER, the "CATTERALL STRING QUARTETTE," who have already established themselves one of the foremost Quartette Parties in Europe, will give a programme of the most notable pieces of Chamber Music. For the Third Concert on WEDNESDAY, 10th DECEMBER, we have been very fortunate in again securing Mr. VLADIMIR ROSING the most realistic singer who has ever appeared on the concert platform. He has had an amazing vogue in London during the last three seasons, and combines the finest singing with the most intensely dramatic interpretation. Mr. & Mrs. YORK BOWEN who will be the artists on WEDNESDAY, 11th FEB., 1920, have a wide reputation for the great charm and artistry of their combined piano and vocal recitals. For the last Concert, on WEDNESDAY, 10th MARCH, Mr. WILLIAM MURDOCH, one of the greatest pianists of the present day has been secured. He has twice been chosen by the British Government to tour in Scandinavia as a representative British music executant. A, BROWN & SON HUDD

Auddersfaide Munich bab. 10 DEC 1919 ROSING Song Recital At the Piano Vail & Co., London, E.C. 1. Madame MARIE ROSING. Price of Programme One Shilling.

I. PROGRAMME. (at) Come, Sweet Death (a) LONGING FOR DEATH. Send O come, sweet death, come, blessed rest! peace, my way is eerie, am I of the world so weary. Ah, come! I wait for thee. Come soon and guide thou me. Close thou my eyes so blest. Come, blessed rest. יין (b) Tears of Love ... (b) TEARS OF LOVE. Tears of love fill my eyes, tears of love never waning! Fill my eyes! E'en to my sight half dim with weeping, how desert, how dead the whole world appears. Fill my eyes. Fill my eyes, tears of my love, so ill-fated, my love so ill-fated. Fill my eyes, tears of love, tears of my love so ill.fated. My love so ill-fated. Fill my eyes. (c) Thy hand beloved. (c) THY HAND BELOVED. Thy hand, beloved. Darkness shades me. On thy bosom let me rest. I would wish more, but Death invades me, and Death is now a welcome guest. When I am laid in earth, may my wrongs create no trouble in thy breast. Remember me, remember me! But ah! Forget my Remember me, but ah! forget my fate. fate. (d) La Romanesca ... Aux (d) LA ROMANESCA AIR DE DANSE. des bois, aux soupirs du feuillage mèlez charmants hautbois, un doux ramage; et par vos accords, sur la verte fougère attirez la bergère qu'appellent mes transports "0 mourir. mon cœur rebelle, ou bien Madeleine, cêde aux amours; le lierre au chéne s'unit toujours. Qu'a ma chanson voltigeant en cadence ton pied mignon, vienne animer la danse; et qu'en bondis 11. (a) The Queen and the Dwarf (a) THE QUEEN In gathering shade the hills are disappearing and moving slow upon the smooth sea waves, the boat which Queen and Dwarf alone is bearing. Her eyes are raised to greet the vaulted heaven, the deep blue sky with rays of light clear glowing, where with a flood of gleaming stars 'tis riven. ness "Never stars deceit of yours has brought me sad- she cries aloud. "Soon now my life is enci you call to me, yet death I greet with gladness." Then comes the Dwarf beside the Queen to bind about her. slender neck the silken cord of scarlet; and weeps and weeps, as though despair and tears would blind his eyes, He speaks: "On thee the guilt of all this woe is laid, since for the King thou left me wholly desolate, thy death alone can bring me back my gladness, yet Bach Beethoven Purcell -Old French sant tou corsage d'abeille d'un tresor naissant, plein d'elle, veut attendrer son coeur-entr'ouvre la merveille. Pour le tendre souci qui m'entrains, J'implore to merci o ma reine; et si la danse nous enchaine, laisse l'amour nous enchaîner aussi! et si la dance nous enchaîne, laisse l'amour nous enchaîner aussi. Schubert AND THE DWARF. now my hate has on myself fallen, since by my hand shall death to thee be given. The hour has come! Your life must now be ended!" She pressed her hands to stay her young heart's throbbing, with burning tears she raised her eyes to heaven, to speed the prayer with which her soul was yearning. "May through my death no pain to thee be given!" she cries. On her pale cheek his lips he presses, and in the kiss to endless sleep she passes. The Dwarf looks on the Queen, whom death has taken; in deeps of sea with his own hands he drowns her. He longs for her, his heart for grief is breaking; he burns for her, his heart is torn with longing. And ne'er a land will greet him more returning home.

vy VG Suicorld (b) At the Ball Amidst the gay dancing entrancing, And the din of the music so loud, By chance it was I met you In the roar and the crush of the crowd. The sound of your voice so lovely Came over the ball-room to me, And sounded as restful and silvery As the lulling waves of the sea. III. I saw your dear eyes questioning sadly, So thoughtful and dreamy their gaze, (c) Lullaby (d) Jai pleuré en réve (b) AT THE BALL. (c) SLEEP, MY BABY!" Peacefully the evening was ending, gilding the sides of the mountains, the hot air of the day was cooling, sleep. my baby, sleep. The nightingale has finished his song announcing the night, chords of music timidly ended, sleep, my baby, sleep! The eyes of angels shining above, the breath of night is so tender, sleep, my baby, sleep! ... (d) J'AI PLEURÉ EN REVE. Mes yenx pleuraient en rêve, ton corps reposait au linceul, je m'éveillai, et des larmes ont glissé le long de mes joues. He-So chill is the night, so icy the wind, my heart congeal'd with cold! Love in such plight wont (a) Aria of Prince Vladimir (b) Drinking Song (e) Serenade Inutile. He-Fair, good even, my darling, good even, (c) SERENADE INUTILE. my dear! I love thee more and more! Come down and open thy door and let me in and to thee be near. She-Nay, nay! that cannot be! My door is lock'd fast. Wisely my mother says I'd rue it all my days if I did, if I did, what of me you ask. A mystery new-born veiled your features, As I silently looked through the haze.. Since that night, in my heart re-echoes, In my lonesome hours of repose, Your laugh and your chaff, as I doze. And sadly I ask, in my dreaming, What are you, Dear Soul, to me? I know not if even I love you. But my heart whispers-"Yet this must be." Marie Rosing. (b) DRINKING SONG Words by Borodine. Recitative- It would be sin to hide that I do not like to be bored. The way our Prince Igor lives I couldn't live a day! With princely gaiety I like to treat my heart; I love to live gaily. Ah! could I only become the ruling Prince in Poutivle how gloriously I would live! Aria- (a) ARIA OF PRINCE VLADIMIR. Prince Vladimir is taken prisoner after the defeat of Prince Igor's army. During the period of captivity he falls in love with the daughter of Ohan Konchac. In the recitativo of this aria he tells of the wonde full beauty of the falling night, and of how the warmth and sofineess of the southern air inspires his love and pa- If I could only become Prince of Poutivle I wouldn't. worry, I would know how to live. In the day by the tables of food and at gay festivities. I would judge as I conduct my business. I would judge the people as I wish. I would give them all wine, drink, drink, drink, Tschaikowsky Mes yeux pleuraient en rêve, hélas, tu m avais quitté, je m'eveillai, et mes larmes coulaient amèrement. Mes yeux pleuraient en rêve, ton cœur me rendait son amour, je m'évei.lai et mes larmes se répondaient à flots. Rimsky-Korsakoff FROM "PRINCE IGOR." Schumann hold. Heart's delight, be kind, ope thy door, ope thy dour! Come and ope thy door! Brahms She--Nay! If thy love will not hold thro' all let it extinguished be I Go home to your bed. I will go to mine So good-night! So good-night! So good-night! Sleep well! From "Prince Igor" Borodin sion. He wonders if his love waits for him. his heart he knows that she will come. Deep in In the aria he pleads with her to answer his call of love, and under the sheltering canopy of the dark night, when all the world lies sleeping and only the stars keep watch above, to come to him. drink, drink-enjoy! At night to my palace should be brought all the beautiful girls; they would sing songs, they would sing praise of me; and those that are the pinkest and the whitest I would keep them; and those that are sweetest I will spend the night with them. Ah, if that could only become my fate, I would miss no opportunity, I would know where to begin; I would administrate the Sta'e, so that not much money would remain ! I would drain the cup of life; for that, power exists. Ah! could I only become prince, I would know how to please every one, myself, and you! so that they wouldn't soon forget us. Hay, hay, hay-enjoy, and live !

چرا IV. (a) Invocation to Love Love, Love, thou wilt forgive Our starved and pallid forms! Thy cloak of lambs wool warms Our shoulders ; let us live! (b) Chanson Triste ... Dans ton cœur dort un clair de lune, Un doux clair de lune, d'été. Et pour fuir la vie importune Je me noierai dans ta clarté. J'oublierai les douleurs passées Mon amour, quand tu berceras Mon triste coeur et mes pensées Dans le calme aimant de tes bras. (c) Claire de lune ... (a) INVOCATION TO LOVE. (b) CHANSON TRISTE. Votre ame est un paysage choisi, où vont charmant masques et bergamasques, Jouant du luth et dansant et quasi tristes sous leurs deguisements fantasques, Tout en chantant sur le mode mineur. L'amour vainqueur et la vie opportune. ils n'ont pas (d) The Steppe (d) THE I go through a dreary Steppe, with no beautiful flowers, no green trees on which the nightingale could sing. The evening is frowning darkly, not a star in the sky. Suddenly, at this moment I have remembered you, my beloved, with your sweet and adorable face. I V. (a) Death Serenade ... (c) CLAIR DE LUNE. The song begins with a description of a night, wondrously blue and beautiful, in spring. To the murmur of this calm night is listening, with bent head, a young girl. She is dying. Sleep has deserted her feverish eyes, and the joys of life and the ecstacies of life are calling to her. But at the window, in the silence of the night, death is singing to her his serenade :- From the darkness of thy captivity, in which thy youth is fading, (by request)... I have come to liberate thee. Behold thyself. How beautiful thou art ! How bright thy cheek! How wonderful thy hair falling around thee ike a cloud. (b) Hunger We are kneeling with our hands together pressed, We can feel thy fragrant breath, We are too young for death; Love, lift us with the rest ! Words by Nekrasoff. Although Russia is great and her lands are vast, still there are many parts of the country where the peasants possess very little land, and in case of bad crops those districts are stricken with famine. The words of this song are written by our great poet Nec- rasoff, and describe a famine-stricken peasant. He can hardly walk, hardly can he draw his breath. He is puffed up from eating shavings of wood. He is tor- tured by his grief and misery, and nearly mad with starvation as his glassy eyes stare in front of him in a way more terrible than that of any drunken being. He staggers along gasping and half dazed until he arrives at his little field; there he stands motionless as Tu prendrás ma tête malade Oh quelquefois sur tes genoux Et lui diras une ballade," Qui sembleras parler de nous. Et dans tes yeux pleins de tristesse. Dans tes yeux alors je boirai Tant de baisers et de tendresse Que peut-être je guérirai. (a) DEATH SERENADE. (c) FAMINE. Cyril Scott l'air de croire a leur bonheur et leur chanson se mêle au clair de lune. Au calme clair de lune triste et beau Qui fait rêver les oiseaux dans les arbres et sangloter d'extase les jets d'eau les grands jets d'eau sveltes parmi les marbres. Duparc Gretchaninoff STEPPE. see you, and it seems that the darkness around me is brighter, and that the song of the nightingale sounds. from the beautiful green trees; banks of flowers are waving, and the whole sky is alight with stars. Fauré Moussorgsky The shining of thine eyes is brighter than the flame of heaven, and thy breath is as the warm sweet air of the South. Thou hast conquered my heart, My serenade hath enchanted thy years. Thy murmur hath reached the mysterious knight, and lo! the knight is come for his last reward. Thou, so exquisite and tender, will I hold and strangle. in my arms. Ah! hear me and listen to my song of love. Hush-not a word! Thou'rt mine ! I'll eat alone! Alone! I'll heed them not! I'll give them not! Not I a statue, and raising as much voice as is possible from his poor empty chest he sings :- Ripen! Ripen ! Corn, thou mother mine I tended thee, I cherished thee. Hear me, earth of mine ! Cui A loaf-great as a mountain. God I would devour a pan-cake, large as a table- wide. In this dread hour and though my son and mother dear for bread should cry- Marie Rosing.

HUDDERSFIELD MUSIC CLUB (Under the auspices of the British Music Society). Wednesday, Nov. 12th, 1919, THE CATTERALL QUARTET SEASON 1919-1920 ARTHUR CATTERALL, Esq. JOHN S. BRIDGE, Esq. (1st VIOLIN) (2nd VIOLIN) FRANK S. PARK, Esq. (VIOLIN) Fort brit. President Musical Director : A. EAGLEFIELD HULL, Esq., Mus. Doc., Oxon. COMMITTEE: H. H. LOCKWOOD, Esq., (Chairman). J. STANCLIFFE ELLIS, Esq. T. E. PEARSON, Esq., (Mus. Doc., Oxon). HAYDN H. SANDWELL, Esq., F.R.C.O. D. SEGALLER, Esq., D. Sc. Dr. F. W. THORNTON. F. W. WHITELEY, Esq. A. L. WOODHEAD, Esq. Esq., D. Sc. E. C. EDGAR, Hon. Secretary JOHAN C. HOCK, Esq. (CELLO) Asst. Secretary - E. J. BRUCE, Esq., J.P. Hon. Treasurer - G. FLEMING, Esq., Clifton Lodge, Edgerton, Huddersfield. G. H. OSBORNE, 48, New North Road. P. LOCKYER, Esq., National Provincial and Union Bank of England, Westgate, Huddersfield.

1. Quartet in E minor, Opus 83 - Elgar. (A) Allegro moderato. (B) Piacevole (poco Andante). (c) Finale, Allegro molto. This Quartet is the second of three already famous Chamber Works written in 1918. The first movement opens in an ecclesiastical style, which gives place in the third bar to a restless two-note figure, the real basis of the movement. The second subject is introduced over a suggestion of the opening bar, and appears in a variety of moods, all typically Elgarian. PROGRA The slow movement is one of the most beautiful creations of the Composer. Commencing in three-part harmony, the entry of the first violin after eighteen bars simply doubles the melody given to the second violin. The contrast of tone-colour and the string treatment make this movement one of exceptional charm and appeal. The Finale opens in an energetic manner, and in the conversational style. A middle semiquaver section adds a touch of humour. Towards the end the opening wedge-like subject appears, together with a theme derived from the second subject. 2. Quartet in F major ✔ Maurice Ravel. (A) Allegro moderato. (B) Assez vif, très rythmé. (c) Très lent. (D) Vif et agité. First performed at the Schola Cantorum in March, 1904, this Quartet placed Maurice Ravel amongst the

GRAMME.. ● foremost musicians of the day. At the age of twenty-eight the Composer had achieved a reputation, envied by many, through the difficult medium of the string quartet. A delightful work, revealing strong musicianship, this example abounds in ingenious and exquisitely original humour. The clever distortions of the original theme, the unique rhythm of the second movement, the dreamy sadness of the third, and the verve of the brisk Finale, all proclaim the confidence and strength of youth. 3. Quartet in D major (A) Allegro moderato. (B) Scherzo. (c) Notturno. Pa (D) Finale. ✓ Borodin. Alexander Borodin, born in Petrograd in 1834, was the son of Prince Gudeonoff, a descendant of the hereditary rulers of Georgia. This descent accounts for the fact that in all his works we find Eastern traits and oriental tendencies. The Quartet in D major, full of a melodic charm easily appreciated by the hearer, is essentially a work which speaks for itself. Borodin was an outstanding refutation of the prevailing theory that a second lucrative occupation is incompatible with the serious pursuit of music, for he was a great authority on chemistry, and the author of several books, famous in their day ("Fluoride of Benzole," Solidification of Aldetrydes," etc.) He also took a leading part in the emancipation of women at that period. (Analytical Notes by G. H. OSBORNE).

For the Third Concert on WEDNESDAY, 10th DECEMBER, we have been very fortunate in again securing Mr. VLADIMIR ROSING the most realistic singer who has ever appeared on the concert platform. He has had an amazing vogue in London during the last three seasons, and combines the finest singing with the most intensely dramatic interpretation. Mr. & Mrs. YORK BOWEN who will be the artists on WEDNESDAY, 11th FEB., 1920, have a wide reputation for the great charm and artistry of their combined piano and vocal recitals. For the last Concert, on WEDNESDAY, 10th MARCH, Mr. WILLIAM MURDOCH, one of the greatest pianists of the present day has been secured. He has twice been chosen by the British Government to tour in Scandinavia as a representative British music executant.