BeMS 1967 01 06


The Belfast British Music Society, BeMS 1967 01 06

1 The Belfast British Music Society, BeMS 1967 01 06, Page 1

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BRITISH MUSIC SOCIETY OF NORTHERN IRELAND 1966-1967 FOURTH RECITAL under the auspices of THE QUEEN'S UNIVERSITY OF BELFAST THE BUDAPEST TRIO NICHOLAS ROTH GEORGE ROTH JOSEPH WEINGARTEN Violin Violoncello Pianoforte SIR WILLIAM WHITLA HALL Queen's University, Belfast FRIDAY, 6th JANUARY, 1967 at 7.45 p.m.

2 The Belfast British Music Society, BeMS 1967 01 06, Page 2

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Trio in B flat, Op 97 Ludwig van Beethoven (1770-1827) Allegro moderato Scherzo: Allegro - Trio Andante cantabile Allegro moderato - Presto This trio, composed in 1811, is one of a number of works dedicated to the Archduke Rudolph, Beethoven's patron; there is no par- ticular reason why it, out of them all, should have kept his title and be known as "The Archduke Trio". It fully deserves its aristocratic name for few would deny that it is the greatest of all piano trios. Beethoven is known to have appeared in a performance of it in 1814, before total deafness set in, his last public appear- ance as a pianist. In the first movement the opening subject is given out on the piano first of all, and after quiet meditation by the three instruments the second subject (in G major) is again enunciated by the piano. In the second movement the trio has two themes, the first a grave fugato, the second a waltz-like tune accompanied by the strings. The Andante is a set of four variations and leads directly to a defiantly gay finale. Five short pieces for Piano Trio Bohuslav Martinu (1890-1959) Allegro moderato Adagio Allegro Allegro moderato Allegro con brio Martinu was a Czech composer, mainly self-taught. He started his career as a violinist, playing in the Czech Philharmonic Orchestra for ten years. He spent much of his adult life in France and America, returning to his native land as professor of composition at Prague in 1949. He was a prolific composer, especially of chamber music. An opera written for radio, "Comedy on a Bridge", was performed some years ago in Belfast by the Studio Opera Group. He was much interested in polyphony and these pieces are an expression of this interest. They are typical of his output in general, in that they have a strangely impressive quality and rhythmic intensity. The composer accepted a description which likened them to sculptured marble. INTERVAL

3 The Belfast British Music Society, BeMS 1967 01 06, Page 3

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Trio in E minor, Op 90 Antonin Dvorák (1841-1904) Lento maestoso - Allegro quasi doppio movimento Poco adagio - Vivace non troppo Andante Vivace non troppo - Vivace Andante moderato - Allegretto scherzando - Meno mosso - Allegro Tempo I Allegro Lento maestoso - Vivace This trio, composed in 1891, is known as the Dumky Trio. A Dumka is a lament of Ukrainian folk-origin (Dumky is the plural form). Five of the movements are in this form, and there is much coming and going from slow to fast and back again. In this work Dvorák is at the peak of his melodic and rhythmic inventiveness. Note that the first three movements are played without a break. MR. NICHOLAS ROTH plays a J. B. Guadagnini violin dated 1768 MR. GEORGE ROTH plays a Giovanni Grancini cello dated 1669

4 The Belfast British Music Society, BeMS 1967 01 06, Page 4

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NEXT CONCERTS: Thursday, January 19th Haydn Shostakovitch Beethoven Monday, February 6th Haydn Beethoven Schubert THE CREMONA STRING QUARTET Four canzonets. An die ferne Geliebte, Op 98. Des Sängers Habe, D832; An die Leier, D737; An den Mond, D296; Wilkommen und Abschied, D767. Vaughan Williams Songs of travel. Ravel Don Quichotte à Dulcinée. Debussy Ravel Quartet in C major, Op 74 no 1 Quartet no 3 Quartet in F major, Op 59 no 1 JOHN SHIRLEY-QUIRK, Bass-baritone MARTIN ISEPP, Pianoforte Monday, February 13th Beethoven Serge Nigg CHRISTIAN FERRAS, Violin JEAN-CLAUDE AMBROSINI, Pianoforte J. S. Bach Handel Nadermann Mozart Godefroid Fauré Cabezon Ferrandière M. Albeniz Beethoven Pierné J. Guridi Albeniz G. Walters G. Salzedo Thursday, February 23rd Sonato in F major, Op 24 (Spring) Sonata for unaccompanied violin (First British performance) Sonata in G minor Pièce en forme de Habañera Tzigane MARISA ROBLES, Harp Two preludes Variations Sonatina Variations and Rondo Pastorale Concert study Impromptu Pavanne and variations Dance of the dwarfs Sonata Variations on a Swiss air Impromptu caprice Three Basque melodies Viejo Zorziko Malagueña Little suite Song in the night