Ocr'd Text:
THE BRITISH MUSIC SOCIETY
of
NORTHERN IRELAND
SEASON 1967-68
A SERIES OF
SEVEN RECITALS
IN THE
SIR WILLIAM WHITLA HALL
(Under the auspices of Queen's University)
at 7.45 p.m.
Subscription
2 Guineas
Ocr'd Text:
Friday, October 27th 1967
THE ROSTAL-PALM-SCHRÖTER TRIO
BERNADETTE GREEVY Contralto
HAVELOCK NELSON Piano
(In conjunction with the B.B.C. A Musicale concert)
The Trio headed by Max Rostal had established itself as one of
the leading European ensembles and for a number of years it had
appeared throughout Europe. It suffered a serious blow last year
in the death of its cellist, Gaspar Cassado, who last played for
us in 1964, strangely enough in a concert just before that given
by Max Rostal. The new cellist is a player of great experience,
Siegfried Palm.
Bernadette Greevy, a Dubliner, has come rapidly to the fore as
one of our leading contraltos. Many members will have had the
opportunity of hearing her sing Mahler's 'Kindertotenlieder' with
the Ulster Orchestra last season and will welcome tthe oppor-
tunity of hearing again her rich, ample voice and her accomplished
artistry.
Programme :
Mozart: Trio in E major, K. 575.
Schubert: Trio in B flat major.
Schumann Frauenliebe und Leben.
Franck: La procession.
Hann L'heure exquise.
Beau Soir
Debussy:
Mandolins
Ocr'd Text:
Thursday, November 9th 1967
MEMBERS' NIGHT AND ANNUAL GENERAL
MEETING
ERIC HINDS Baritone
EDWARD BECKETT Flute
To be held at 7.45 in the new Conference Hall,
The Presbyterian Hostel, Howard Street, Belfast 1
Friday, January 5th 1968
Piano
MICHAEL MCGUFFIN
HAVELOCK NELSON Piano
RAFAEL OROZCO Piano
Few musical events have roused such interest and excitement as
the broadcast of the finals of the Leeds International Piano com-
petition of 1966. It was obvious that the five players involved had.
risen far above the level of youthful prodigies and were at a stage
where their mature artistic achievement was beginning to be
apparent. It is an open secret that the choice of the winner was
arrived at only after prolonged discussion and even friction on the
part of the international jury.
The winner was the Spaniard, Rafael Orozco, who was born in
Cordoba in 1947. He came of a musical family and, after domestic
instruction, proceeded to the conservatories of Cordoba and
Madrid, and then to Italy, where he studied under Guido Agosti
at Siena. For the last three years he has been a pupil of Alexis
Weissenberg. He has made a habit of winning international com-
petitions, being first at Bilbao in 1963 and at Jaen in 1964. He
came second in the Vercelli competition of 1964.
Programme :
Bach English suite No. 3.
Liszt: Sonata in B minor.
Albeniz Fête Dieu à Seville; Evocacion.
Prokofieff: Sonata No. 2.
Ocr'd Text:
Saturday, January 13th 1968
BENJAMIN LUXON
DAVID WILLISON
Benjamin Luxon, a Cornishman born in 1937, began his career
by training as a teacher, specialising in music and physical educa-
tion. He studied singing with Professor Walther Gruner and has
sung at the Edinburgh and other festivals. Since 1961 he has had
considerable experience of singing on the Continent and the
German critics have praised him for his command of the German.
language and his understanding of German lieder. It is strange
that, in the history of our society, neither of Schubert's great song-
cycles has ever been sung. Mr. Luxon seems an appropriate
choice to remedy this state of affairs.
Programme :
Schubert: Die Schöne Müllerin.
Saturday, January 27th 1968
Baritone
Piano
THE TEL-AVIV STRING QUARTET
CHAIM TAUB Violin
MENAHEM BREUER Violin
Programme :
DANIEL BENYAMINI Viola
UZI WIESEL Violoncello
The Tel-Aviv Quartet was originally composed of Tel-Aviv born
musicians, all leading members of the Israel Philharmonic
Orchestra; a change of second violin brought in an Austrian-born
player, but trained in Tel-Aviv. Chaim Taub, their leader, began
his training in Tel-Aviv and afterwards went to the Juillard School
in New York. Menahem Breur came to Tel-Aviv as a child and has
been a member of the quartet since 1961. Daniel Benyamini, the
violist, is exclusively Tel-Aviv trained and leads the violas in the
Israel Philharmonic. We have had reason, in recent years, to admire
the wonderful sense of unity and the distinctive personality of
several quartets from the nationally-conscious countries of Eastern
Europe. We have every reason to believe that this group of Israeli
players will make a similar impact.
Mozart: Quartet in D major, No. 21, K.575.
Beethoven Quartet in F minor, Op. 95.
Bartok: Quartet in A minor, Op. 7, No. 1.
Ocr'd Text:
Friday, February 16th 1968
440
Programme :
PAUL TORTELIER
Cello
MARIA DE LA PAU Piano
Paul Tortelier must be by now the best known of great cellists to
Belfast audiences. His recent appearances have mostly been in
concerto work, and it will be a privilege to hear him in chamber
music. He claims to have come from a non-musical family, but he
has certainly compensated for this by producing a most talented
brood himself, Maria de la Pau being his daughter and the god-
daughter of Casals.
Bach: Sonata No. 2 in D major.
Schubert: Sonata Arpeggione.
Brahms: Sonata No. 2 in F major, Op. 99.
7
Ocr'd Text:
Friday, March 1st 1968
THE HEUTLING STRING QUARTET
WERNER HEUTLING Violin
OSWALD GATTERMANN Violin
ERICH BOHLSCHEID Viola
Cello
KONRAD HAESLER
The Heutling String Quartet was formed in 1958 in Hanover. They
made their London debut in 1961, and were among the quartets
invited to participate in the BBC series of International Quartets
at the Royal Festival Hall in 1965. Werner Heutling himself be-
came leader of the Hanover Symphony Orchestra at the age of
eighteen, and, in addition to his work in chamber music and as a
soloist, is on the staff of the State High School for Music,
Hanover. Oswald Gattermann has also had experience as a leader
of symphony orchestras. Erich Bohlscheid and Konrad Haesler
have played in chamber-music combinations with many of the
leading instrumentalists.
Programme :
Haydn: Quartet in B major, Op. 76, No. 4.
Hindemith Quartet No. 6 (1945).
Schubert: Quartet in A minor, Op. 29.
Saturday
Teresa
of 1958
invited
bourne,
She ma
great s
husbanc
she is c
Progran
Tet
lon
Ocr'd Text:
Saturday, May 4th 1968
TERESA BERGANZA Mezzo-soprano
FELIX LAVILLA
Piano
Teresa Berganza made a sensational debut at the Leeds festival
of 1958, where Lord Harewood, having heard her on the Continent,
invited her. That same summer she sang 'Cherubino' at Glynde-
bourne, and next year made an even greater hit in 'Cenerentola'.
She may now be quite simply described as one of the world's
great singers. With Felix Lavilla she forms one of the great
husband and wife partnerships on the concert platform, where
she is quite as much at home as on the opera stage.
Programme :
Teresa Berganza prefers to decide her programmes not too
long before her appearance.
Ocr'd Text:
GUEST TICKETS will be available for each recital except Teresa
Berganza at a cost of 10s. 6d. Tickets for Teresa Berganza
concert will cost £1.1.0. Guest tickets must be purchased in
advance from the address below as payment cannot be accepted
at the Hall. A member may invite any number of guests, but a
particular guest may not be introduced more than twice during
the season.
SCHOOLS AND TECHNICAL COLLEGES. Special terms are
available to students in organised parties from Schools and
Technical Colleges.
NEW MEMBERS are most welcome. At present no formalities
are necessary to join the Society, other than payment of the
subscription at the address below.
ALL ENQUIRIES, payment of subscriptions, tickets, etc., should
be made to :-
HART & CHURCHILL LTD.
20 WELLINGTON PLACE
BELFAST 1
Telephone 27868