Ocr'd Text:
Bull
Mort
Byrd Orlando
bbons
THE HJoy.
BRITISH
MUSIC
SOCIETY
Tall
Sunst
Dowland
CATALOGUE
of COMPOSERS
Ferners Street, London, W. I
1922
Arne
Field
Sullivan
Ocr'd Text:
The English Madrigal School
VOL.
I.
The complete works of English Madrigalists in thirty-six
volumes, transcribed, scored, and edited from the original
editions by EDMUND H. FELLOWES, M.A., Mus. Doc.
NOW READY.
Part i. THOMAS MORLEY. Canzonets to two voices (1595))
Part ii. THOMAS MORLEY. Canzonets to three voices (1593)
Parts i and ii complete...
II. THOMAS MORLEY.
III. THOMAS MORLEY.
IV.
V.
THOMAS MORLEY.
ORLANDO GIBBONS.
(1612)
VI. JOHN WILBYE.
VII. JOHN WILBYE.
VIII.
IX.
..
..
Madrigals to four voices (1594)
Canzonets to five and six voices (1597)
Ballets to five voices (1600)
Madrigals and Motets of five parts
..
First set of madrigals (1598)
Second set of madrigals (1609)
JOHN FARMER. Madrigals to four voices (1599)
THOMAS WEELKES.
voices (1597)
X. THOMAS WEELKES.
(1598)
Madrigals to three, four, five and six
Ballets and madrigals to five voices
..
..
Madrigals of five parts (1600)
Madrigals of six parts (1600)
Madrigals of six parts (1600)
XI. THOMAS WEELKES.
XII. THOMAS WEELKES.
XIII. THOMAS WEELKES.
XIII. THOMAS WEELKES. Airs on Fantastic Spirits to three
XIV.
voices (1608)
WILLIAM BYRD.
voices (1588)
XV. WILLIAM BYRD.
WILLIAM BYRD.
HENRY LICHFILD.
..
PRICE
12 6
A
86
90
76
12
6
16 6
16 6
80
90
9 0
6 0
7.6
7
6
8
6
17 6
17 6
.. 17 6
90
.. 15 0
1.15 0
12 0
.. 12 0
66
10 6
Psalms, Sonnets and Songs for five
Songs of Sundry Natures (1589)
Psalms, Songs and Sonnets (1611)
Madrigals of five parts (1613)..
..
..
XVI.
XVII.
XVIII. THOMAS TOMKINS. Songs of three, four, five and six
parts (1622)
JOHN WARD. Madrigals to three, four, five and six parts
(1613)..
GILES FARNABY. Canzonets to four voices (1598) M 60
XXI, THOMAS BATESON.
XIX.
XX.
XXII.
THOMAS BATESON.
..
First set of madrigals (1604)..
Second set of madrigals (1618)
וד..
XXIII. JOHN BENNET. Madrigals to four voices (1599)
XXIV. GEORGE KIRBYE. Madrigals to four, five and six voices
(1597)
To be completed in thirty-six volumes.
Special rate to Subscribers. Order Form on application table
All the madrigals published in this series and detailed
separately in single numbers. For
catalogues apply to-
onshers.
058, BERNERS ST
LONDON, W. 1.
STAINER & BELL, Ltd.,
Ocr'd Text:
For 200 years the Broadwood
Piano has reigned supreme-
the finest in the world.
An exquisite purity and
richness of tone, perfection of
touch and power of "expression"
give the Broadwood Piano a
character which has often been
imitated but never equalled.
BROADWOOD
A copy of an interesting.
booklet "How I Would
Choose My Piano," by
William Murdoch, the
famous pianist, will be
sent post free on request.
BROADWOOD
JOHN BROADWOOD & SONS, LTD.,
Conduit Street, LONDON, W. 1.
Ocr'd Text:
290914
PERB STD 08
THE SUPERB
Marshall & Rose
GRANDE UPRIGHT▪
PIANOFORTES
ACCEPTED AS THE HIGHEST STANDARD OF
PIANOFORTE CONSTRUCTION.
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MANUFACTURERS:
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SIR HERBERT MARSHALL & CONDON, W.1
ANGELUS HALL, 233, P
15m 32
Ocr'd Text:
SECOND SERIES OF
60 Graded Teaching Pieces
FOR VIOLIN AND PIANO.
GRADE
Twenty Pieces.
61 Carse, Adam
62 Hood, Ralph
63 Kent, William
64 Carse, Adam
I.
First Position. Net
s. d
Reverie&Minuet 10.
Step by Step &
A Little Waltz 10
A Short Reverie
65 Ackroyd, William
66 Carse, Adam
& Gavotte 10
Song without
words & Waltz 10
Little Dance ... 10
Waltz Steps 16
Bluebell Chimes 10.
URADE II-continued.
Net
s.d
90 Moffat, Alfred Old Chelsea .. 16
91 Coleridge
16
Taylor, S. Nourmahal's Song 1 6
92 Leary, A. Haydn Lullaby.
93 Carse, Adam Gavotte from
AUTRE Sonatina in D 16
10
94 Boyce, William Arioso..
95 Purcell, Daniel Two Hornpipes 10.
96 Carse, Adam Minuet..
97 Moffat, Alfred Spring's Return 16.
98 Festing Michael
Christian Sarabanda
..
16
67 Carse, Adam
68
Rule Britannia
10
& Robin Adair
10
99 Carse, Adam
Gavotte..
16
69 Hood, Ralph
Barcarole
16
100 Carse, Adam
Rigaudon
16
..
70 Carse, Adam
Sweet Sorrow &
101 Irish Air
The Rakes of
Hopping Dance
16
Mallow 10
71 Ackroyd, William Spring Song
16
102 Bridge, Frank
72 Ackroyd, William Minuet
16
103 Carse, Adam
Meditation
Capriccietto 20
16
..
..
73 Carse, Adam
Frog Dance
16
104 Jones, Richard Corrente
16
..
74 Somervell. A.
Minuet ..
10
75 Bridge, Frank
105 Bridge, Frank Country Dance 16.
Lullaby..
Allegretto
..
Lullaby..
76 Hill, Claud H.
77 Moffat. Alfred
78 Ackroyd, William A Winter Tale
79 Moffat, Alfred
80 Somervell, A.
GRADE
Twenty-five Pieces.
81 Irish Air
82 Somervell, A.
Cradle Song
Allemande
II.
16
20OW GRADE III.
10
16
Fifteen Pieces. Up to Seventh Position.
10
10
106 Carse, Adam
107 Maccunn,
Hamish
Up to Third Position.
O blame not the
Bard 10
A Lament 110
Top of Cork Road &
88 Irish Airs
By
84 Elliot, Muriel
85 Somervell, A.
the Feal's Wave
86 Saint-George, G.
87 Bridge, Frank
88 Carse, Adam
89 Irish Airs
k
benighted
Albumleaf
Waltz
Giga AMO
Spring Song
Minuet from
UT
Sonatina in G
Remember thee &
Αν
108 Granom, Lewis
109 Farjeon, H.
111 Ireland, John
110 Carse, Adam
112 Somervell, A.
1011 N
HD6
16
Berceuse
On the Loch
Tempo di
Gavotta
Berceuse
Aria
Berceuse
Pierrette
114 Purcell, Henry
Moffat, Alfred hims..
Air..
115 Farjeon, H. Chant d'été
16-116 German, 102
Edward
16117 Reed, W. H.
1-0 118 Somervell,
St. Patrick was a 10
gentleman
25
LONDON, VER
W. 1.
Song without
16
..
16
10
20
..
16
16
20
..
20
16
20
..
20
words
Rosenlied .. 16
A. The
Dove
(Welsh Air) 20
119 Squire, W. H. Serenade
120 German, Edward Saltarelle
LIMITED,
57: HT MARLBOROUGH STREET.
STREET (Regent St. Corner).
MARYLEBONE.
..
20
.. 30
Ocr'd Text:
You can obtain the
FINEST PIANOS
W.2
at
MURDOCH'S
aasabb A bil
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THE largest and most varied
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biau M to sello levo ed to
680 83 LONDON
babauet) bau
inorashou
Ocr'd Text:
THE ROYAL COLLEGE OF MUSIC
Prince Consort Road,
SOUTH
KENSINGTON,
LONDON, S.W.7.
INCORPORATED BY ROYAL CHARTER, 1883.
Telegraphic Address: "INITIATIVE, SOUTHKENS, LONDON."
Telephone: WESTERN 1160.
PATRON HIS MAJESTY THE KING.
PRESIDENT-H.R.H. THE PRINCE OF WALES, K.G.
Director Sir HUGH P. ALLEN, M.A., D. Mus.
Honorary Secretary-GEORGE A. MACMILLAN, Esq., D.Litt.
Registrar CLAUDE AVELING, Esq., M.A.
THE
"HE COLLEGE offers a complete course of musical instruction to
pupils of both sexes, both professional and amateur, by teachers.
of the highest eminence. Pupils sufficiently advanced have the
opportunity of putting their knowledge into practice in Ensemble
Classes, in College Concerts, and Opera Classes. The College enjoys
a permanent Endowment Fund, from which upwards of seventy
Scholarships and Exhibitions are founded which provide free musical
education. There are also Council Exhibitions, Prizes, and other
advantages, for particulars of which see the Syllabus.
TERMS, FEES, etc.
etc.
The Tuition Fee is £12 12s. per Term. Entrance Fee, £2 2s.
Students must continue at College for at least three terms.
Students must enter at the beginning of a term, or at the half-term.
A Junior Department has been established to provide for pupils
under 16 whose time is also occupied by the necessities of their
geral education. The Tuition Fee is £6 6s. per Term. Entrance
Fee,
An Examin
(A.R.C.M.) is held for "Associate of the Royal College of Music"
and September. Fee £5 5s.
The Royal College
Sir S. Ernest Palmer, Bart., F.nsic Patrons' Fund (founded by
British Composers and Executive
For the encouragement of
ained from the Registrar of the College.
Particulars may be
Ocr'd Text:
энт
THE ASSOCIATED BOARD
OF
The Royal Academy of Music & The Royal College of Music
FOR LOCAL EXAMINATIONS IN MUSIC.
Patron: HIS MAJESTY THE KING.
President: H.R.H. THE PRINCE OF WALES, K.G.
Associated Board:
ERNEST MATHEWS, C.V.O., M.A., LL.D., Chairman.
SIR ALEXANDER C. MACKENZIE, K.C.V.O., LL.D., D.C.L., Mus. Doc.,
Oxon., Cantab, St. And. et Edin., Principal of The Royal Academy of Music.
SIR HUGH P. ALLEN, M.A., Mus. Doc., Oxon., Professor of Music, University
of Oxford, Director of The Royal College of Music.
The Board holds Examinations throughout Great Britain and Ireland
and in the Colonies, in both Theoretical and Practical Music, and in
Elocution in Great Britain and Ireland.
The Examinations in Music are of two kinds, "Local Centre" and
"School," and include the following subjects:-
Grammar of Music
Rudiments of Music
Harmony
Counterpoint
Pianoforte
Organ
Violin
Viola
Violoncello
Double Bass
Harp
Wind Instruments
Singing
Instrumental and
Vocal Ensembles
Elocution
LOCAL CENTRE EXAMINATIONS (Syllabus A). Written
Examinations held at all Centres in March and November. Practical
Examinations at all Centres in March-April, and in the London District
and certain Provincial Centres in November-December also. For dates of
entry, see current Syllabus.
"SCHOOL" EXAMINATIONS (Syllabus B). Held three times
a year, viz, March-April, June-July and October-November, in all places
from which entries are received, except where the number of candidates
in any Period is insufficient. For dates of entry, see current Syllabus.
ELOCUTION EXAMINATIONS will be held in each period at
certain fixed centres. For full particulars, see special Elocution Syllabus.
The Board offers annually SIX EXHIBITIONS in Music, tenable for
two or three years, at The Royal Academy of Music or The Royal College
of Music.
at an
Examination Music and Scales for Pianoforte and for Violin, and pas
Written Papers, are published officially by the Board, and co
obtained
from the Central Office, or through any Music Sellensembles Syllabuses,
Copies of Syllabuses A and B. Elocution will be sent post free on
Entry Forms, and any further informAMES MUIR, Secretary,
application to-
TELEGRAMS:
ASSOCIA, LOND
TELEPHONE:
MUSEUM
14 & 15, BEDFORD SQUARE
LONDON, WC
Ocr'd Text:
THE
A100224
Royal Academy of Music
YORK GATE, MARYLEBONE ROAD, N.W.1.
INSTITUTED 1822.
INCORPORATED BY ROYAL CHARTER 1830.
Patron HIS MAJESTY THE KING.
President: H.R.H. THE DUKE OF CONNAUGHT & STRATHEARN, K.C.
Principal Sir ALEXANDER CAMPBELL MACKENZIE,
Mus.D., LL.D., D.C.L., F.R.A.M.
THE ROYAL ACADEMY OF MUSIC offers to students of both sexes
(whether amateur or professional) a thorough training in all branches
of music under the most able and distinguished Professors. In addition
to receiving individual lessons in the various branches of the Curriculum,
students have the advantage of attending the Orchestral, Choral and
Chamber Music Classes, and the occasional Lectures on Music and Musicians.
Evidence of their progress is given at the Fortnightly and Public Concerts
and by periodical Operatic and Dramatic Performances.
There are three Terms in the Academic year, commencing in
September, January and May respectively.
The fee for the ordinary Curriculum is 14 Guineas per Term.
A large number of Scholarships and Prizes are founded and are
competed for periodically. КАХА ЗЯТИЗО ЗА001
Students who show special merit and ability receive the distinction of
being elected by the Directors Associates of the Institution, and are thereby
entitled to the use after their names of the letters A. R.A.M. Students who
distinguish themselves in the musical profession after leaving the Institution
may be elected by the Directors Fellows of the Royal Academy of Music,
and are thereupon entitled to the use after their names of the letters F.R.A.M.
291 Subscribers have the privilege of attending the Lectures and Public
Concerts, and of introducing friends in proportion to the amount of
their subscriptions.bl
aire An examination of persons trained independently of the Academy is
held twice a year--viz, during the Summer and Christmas vacations-
successful candidates at which are entitled to use the letters L.R.A.M.
The Syllabus is issued at Easter.
Teachers
Apecial Teachers' Training Course, to meet the requirements of the
is now ready.stration Council, has been instituted, prospectus of which
Junior Department
по
All further information 10w open.
FRAUDE G900 & T
w Иодио
seudalla to asiqo
has eme
btained on application. noitoffqge
IGHTON, Secretary.