Ocr'd Text:
Bull
Fam
P
Dowland
Munst..
Hort
Byrc Orlando
ibbons
THE J
BRITISH
MUSIC
SOCIETY
Tallis
CATALOGUE
of COMPOSERS
Wil Jes
Berners Street, London, W. 1
1922
Arne
Wilbye
05.08
Field
Sullivan
Ocr'd Text:
The English Madrigal School
The complete works of English Madrigalists in thirty-six
volumes, transcribed, scored, and edited from the original
editions by EDMUND H. FELLOWES, M.A., Mus. Doc.
VOL.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
NOW READY.
Part i. THOMAS MORLEY. Canzonets to two voices (1595))
Part ii. THOMAS MORLEY. Canzonets to three voices (1593)
Parts i and ii complete..
THOMAS MORLEY.
THOMAS MORLEY.
THOMAS MORLEY. Ballets to five voices (1600)
ORLANDO GIBBONS.
(1612)
JOHN WILBYE.
JOHN WILBYE.
JOHN FARMER.
Madrigals to four voices (1594)
Canzonets to five and six voices (1597)
..
..
First set of madrigals (1598)
Second set of madrigals (1609)
Madrigals to four voices (1599)
..
Madrigals and Motets of five parts
Motets
..
Madrigals to three, four, five and six
THOMAS WEELKES.
voices (1597)
X.
THOMAS WEELKES.
(1598)
THOMAS WEELKES.
THOMAS WEELKES.
XIII. THOMAS WEELKES.
XI.
XII.
XIII. THOMAS WEELKES. Airs on Fantastic Spirits to three
voices (1608)
XIV.
WILLIAM BYRD. Psalms, Sonnets and Songs for five
voices (1588)
XV. WILLIAM BYRD. Songs of Sundry Natures (1589)
XVI. WILLIAM BYRD. Psalms, Songs and Sonnets (1611)
XVII. HENRY LICHFILD. Madrigals of five parts (1613)..
XVIII. THOMAS TOMKINS. Songs of three, four, five and six
parts (1622)
15 0
..
Ballets and madrigals to five voices
".
..
..
Madrigals of five parts (1600)
Madrigals of six parts (1600)
Madrigals of six parts (1600)
..
..
PRICE
12 6
8 6
90
76
126
16
6
16 6
8
0
90
90
60
7.6
7
6
8 6
17 6
17 6
6
9 0
.. 17
XIX. JOHN WARD. Madrigals to three, four, five and six parts
1. 15 0
..
(1613) ..
XX. GILES FARNABY. Canzonets to four voices (1598) M 60
XXI. THOMAS BATESON. First set of madrigals (1604)..
XXII. THOMAS BATESON. Second set of madrigals (1618)
XXIII. JOHN BENNET. Madrigals to four voices (1599)
XXIV. GEORGE KIRBYE. Madrigals to four, five and six voices.
(1597)
To be completed in thirty-six volumes.
.. 12/0
.. 12 0
6 6
10 6
enshers.
Special rate to Subscribers. Order Form on application table
All the madrigals published in this series and detailed
separately in single numbers. For
catalogues apply to-
STAINER & BELL, Ltd., 58. BERNERS ST.
Ocr'd Text:
For 200 years the Broadwood
Piano has reigned supreme-
the finest in the world.
An exquisite purity and
richness of tone, perfection of
touch and power of "expression"
give the Broadwood Piano a
character which has often beenden
imitated but never equalled.
nice byle
E 402
on 200
A copy of an interesting
booklet "How I Would
Choose My Piano," by
William Murdoch, the
famous pianist, will be
sent post free on request.
20
H
elagin
BROADW
succ airgrips)
BROADWOOD
JOHN BROADWOOD & SONS, LTD.,
HXX
Conduit Street. LONDON, W.1.3ATE
Ocr'd Text:
290914 THE SUPERBOSTO
Marshall & Rose
▪ GRAND & UPRIGHT.
PIANOFORTES
&
£
08
ACCEPTED AS THE HIGHEST STANDARD OF
PIANOFORTE CONSTRUCTION.
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MANUFACTURERS:
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SIR HERBERT MARSHALL & CONDON, W.1
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Ocr'd Text:
SECOND SERIES OF
60 Graded Teaching Pieces
FOR VIOLIN AND PIANO.
DE 100
URADE II-continued.
GRADE I.
Twenty Pieces. First Position.
61 Carse, Adam
62 Hood, Ralph
63 Kent, William
64 Carse, Adam
65 Ackroyd, William
66 Carse, Adam
67 Carse, Adam
68
*
*
69 Hood, Ralph
70 Carse, Adam
71 Ackroyd, William
72 Ackroyd, William
73 Carse, Adam
74 Somervell. A.
75 Bridge, Frank
76 Hill, Claud H.
77 Moffat. Alfred
78 Ackroyd, William
79 Moffat, Alfred
80 Somervell, A.
GRADE II.
Twenty-five Pieces.
81 Irish Air
84 Elliot, Muriel
85 Somervell, A.
86 Saint-George, G.
87 Bridge, Frank
88 Carse, Adam
89 Irish Airs
Reverie & Minuet 10
Step by Step &
A Little Waltz 10
A Short Reverie
& Gavotte 10
Song without
words & Waltz 10
Little Dance 10
Waltz Steps
16
Bluebell Chimes 10
Rule Britannia
& Robin Adair 10.
Barcarole
16
Sweet Sorrow &
Hopping Dance 16
Spring Song 16
Minuet
16
16
Frog Dance
Minuet
Lullaby..
Allegretto
Lullaby
A Winter Tale
Cradle Song
Allemande
Up to Third Position.
O blame not the
Bard 10
10
10
82 Somervell, A. A Lament
83 Irish Airs (Top of Cork Road &
By the Feal's Wave
benighted)
Albumleaf A.HD6
Waltz
16
16
Giga
Spring Song
Minuet from
16
AU
Net
90 Moffat, Alfred Old Chelseal
s. d
91 Coleridge
..
UTM
Remember thee &
St. Patrick was a
gentleman
W. 1.
10
10
16
Taylor, S. Nourmahal's Song 1 6
92 Leary, A. Haydn Lullaby
93 Carse, Adam
Gavotte from
Sonatina in D 16
Arioso ..
Two Hornpipes
Minuet..
10
10.
16
94 Boyce, William
95 Purcell, Daniel
96 Carse, Adam
97 Moffat, Alfred Spring's Return 16.
98 Festing Michael
Christian
99 Carse, Adam
100 Carse, Adam
101 Irish Air
102 Bridge, Frank
103 Carse, Adam
104 Jones, Richard
10
16
20 OW H
10
16
106 Carse, Adam
107 Maccunn,"
Sarabanda
Gavotte..
Rigaudon
The Rakes of
Hamish
108 Granom, Lewis
2
Edward
117 Reed, W. H.
Sonatina in G 1:01 118 Somervell, A.
10
Mallow
Meditation
Capriccietto
..
20
Corrente
16
165 Bridge, Frank Country Dance 16
..
GRADE III.
Fifteen Pieces. Up to Seventh Position.
Berceuse.
109 Farjeon, H.
110 Carse, Adam
111 Ireland, John
112 Somervell, A.
118 Moffat, Alfred
Berceuse
Aria
Berceuse
Whims..
Pierrette
114 Purcell, Henry Air..
115 Farjeon, H. Chant d'été
Song without
116 German,
Net.
s.d
16
10
16
16
10
16
16
On the Loch .. 16
Tempo di
57: HT MARLBOROUGH STREET.
TREET (Regent St. Corner).
MARYLEBONE.
Gavotta 10
20
16
16
20
20
16
20
Rosenlied
The Dove
(Welsh Air) 20
119 Squire, W. H. Serenade
120 German, Edward Saltarelle
20
30
LONDONNER LIMITED,
128
words 20
16
..
Ocr'd Text:
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FINEST PIANOS
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Ocr'd Text:
THE ROYAL COLLEGE OF MUSIC
Prince Consort Road,
SOUTH KENSINGTON, LONDON, S.W.7.
INCORPORATED BY ROYAL CHARTER, 1883.
Telegraphic Address: "INITIATIVE, SOUTHKENS, LONDON."
Telephone: WESTERN 1160.
PATRON HIS MAJESTY THE KING.
PRESIDENT-H.R.H. THE PRINCE OF WALES, K.G.
Director Sir HUGH P. ALLEN, M.A., D.Mus.
Honorary Secretary-GEORGE A. MACMILLAN, Esq., D.Litt.
Registrar-CLAUDE AVELING, Esq., M.A.
Ho
THE
HE COLLEGE offers a complete course of musical instruction to
pupils of both sexes, both professional and amateur, by teachers
of the highest eminence. Pupils sufficiently advanced have the
opportunity of putting their knowledge into practice in Ensemble
Classes, in College Concerts, and Opera Classes. The College enjoys
a permanent Endowment Fund, from which upwards of seventy
Scholarships and Exhibitions are founded which provide free musical
education. There are also Council Exhibitions, Prizes, and other
advantages, for particulars of which see the Syllabus.
ch seine
TERMS, FEES, etc.
The Tuition Fee is £12 12s. per Term. Entrance Fee, £2 2s.
Students must continue at College for at least three terms.
Students must enter at the beginning of a term, or at the half-term.
A Junior Department has been established to provide for pupils
under 16 whose time is also occupied by the necessities of their
gral education. The Tuition Fee is £6 6s. per Term. Entrance
Fee, ..
09
(A.R.C.M.) is held for "Associate of the Royal College of Music "
and September. Fee £5 5s.
The Royal College o
ir S. Ernest Palmer, Bart., F.nsic Patrons' Fund (founded by
British Composers and Executive For the encouragement of
ained from the Registrar of the College. Particulars may be
Ocr'd Text:
THE ASSOCIATED BOARD
OF
The Royal Academy of Music & The Royal College of Music
FOR LOCAL EXAMINATIONS IN MUSIC.
Patron: HIS MAJESTY THE KING.
President: H.R.H. THE PRINCE OF WALES, K.G.
Associated Board:
ERNEST MATHEWS, C.V.O., M.A., LL.D., Chairman.
SIR ALEXANDER C. MACKENZIE, K.C.V.O., LL.D., D.C.L., Mus. Doc.,
Oxon., Cantab, St. And. et Edin., Principal of The Royal Academy of Music.
SIR HUGH P. ALLEN, M.A., Mus. Doc., Oxon., Professor of Music, University
of Oxford, Director of The Royal College of Music.
The Board holds Examinations throughout Great Britain and Ireland.
and in the Colonies, in both Theoretical and Practical Music, and in
Elocution in Great Britain and Ireland.
The Examinations in Music are of two kinds, "Local Centre" and
"School," and include the following subjects :-
JES Wind Instruments
Grammar of Music
Rudiments of Music
Harmony
Counterpoint
Pianoforte
Organ
Violin
Viola
Violoncello
Double Bass
Harp
Singing
Instrumental and e
Vocal Ensembles
Elocution
LOCAL CENTRE EXAMINATIONS (Syllabus A). Written
Examinations held at all Centres in March and November. Practical
Examinations at all Centres in March-April, and in the London District
and certain Provincial Centres in November-December also. For dates of
entry, see current Syllabus.
"SCHOOL" EXAMINATIONS (Syllabus B). Held three times
a year, viz, March-April, June-July and October-November, in all places
from which entries are received, except where the number of candidates
in any Period is insufficient. For dates of entry, see current Syllabus.
TELEGRAMS: "ASSOCIA, LONDO
MUSEUM
TELEPHONE:
ELOCUTION EXAMINATIONS will be held in each period at
certain fixed centres. For full particulars, see special Elocution Syllabu
The Board offers annually SIX EXHIBITIONS in Music, tenable for
two or three years, at The Royal Academy of Music or The Royal College
of Music.
Examination Music and Scales for Pianoforte and for Violin, and pas
Written Papers, are published officially by the Board, and ca obtained
from the Central Office, or through any Music Sellensembles Syllabuses,
Copies of Syllabuses A and B. Elocution will be sent post free on
Entry Forms, and any further informAMES MUIR, Secretary,
application to-
14 & 15, BEDFORD SQUARE,
LONDON, WC.
Ocr'd Text:
THE
Royal Academy of Music
YORK GATE, MARYLEBONE ROAD, N.W.1.
INSTITUTED 1822.
INCORPORATED BY ROYAL CHARTER 1830.
Patron HIS MAJESTY THE KING.
President: H.R.H. THE DUKE OF CONNAUGHT & STRATHEARN, K.C.
Principal Sir ALEXANDER CAMPBELL MACKENZIE,
Mus.D., LL.D., D.C.L., F.R.A.M.
THE ROYAL ACADEMY OF MUSIC offers to students of both sexes
(whether amateur or professional) a thorough training in all branches
of music under the most able and distinguished Professors. In addition
to receiving individual lessons in the various branches of the Curriculum,
students have the advantage of attending the Orchestral, Choral and
Chamber Music Classes, and the occasional Lectures on Music and Musicians.
Evidence of their progress is given at the Fortnightly and Public Concerts
and by periodical Operatic and Dramatic Performances.
There are three Terms in the Academic year, commencing in
September, January and May respectively.
DIALOO
The fee for the ordinary Curriculum is 14 Guineas per Term.nia
A large number of Scholarships and Prizes are founded and are
competed for periodically. 2nOITAMIMAX
JO
Students who show special merit and ability receive the distinction of
being elected by the Directors Associates of the Institution, and are thereby
entitled to the use after their names of the letters A.R.A.M. Students who
distinguish themselves in the musical profession after leaving the Institution
may be elected by the Directors Fellows of the Royal Academy of Music,
and are thereupon entitled to the use after their names of the letters F.R.A.M.
Subscribers have the privilege of attending the Lectures and Public
Concerts, and of introducing friends in proportion to the amount of
their subscriptions.blad od liw enoITAMAX MOT
An examination of persons trained independently of the Academy is
held twice a year--viz, during the Summer and Christmas vacations-
successful candidates at which are entitled to use the letters L.R.A.M.
The Syllabus is issued at Easter.
Teachers
Apecial Teachers' Training Course, to meet the requirements of the
is now ready.tration Council, has been instituted, prospectus of which
y
A Junior Departme.
109 910 mol
8
до
All further information 10w open.
moinsoleudslive to asiqo
RAUDE COR & T
w иодио
htained on application. notagge
IGHTON, Secretary.