Julian Hoyd Webber Yitkin Seow York Festival & Mystery Plays 6-30 June 1980

frogate nternational Festival 1980 Festival Director: Clive Wilson 31 July - 13 August /// The programme will include: Alexander Roy London Ballet Theatre BBC Northern Singers The Cambridge Buskers lan Carmichael with the Little Big Band in words and music from the 20's and 30's Colin Carr The Cherub Company in 'The Two Noble Kinsmen' by William Shakespeare and John Fletcher City of Birmingham Symphony Orchestra conducted by Guido Ajmone Marsan with Galina Vishnevskaya Jack Dieval Trio English Chamber Orchestra directed by Pinchas Zukerman with Eugenia Zukerman Paul Hansard's Puppets Joseph Kalichstein, Jaime Laredo, and Sharon Robinson Trio The King's Singers Koenig Ensemble playing works by Milhaud, Schoenberg, Saxton and Weill ● Alicia de Larrocha Les Percussions de Strasbourg ● Royal Liverpool Philharmonic Orchestra conducted by Ron Goodwin with Peter Rostal and Paul Schaefer in a programme of music by Ron Goodwin, Henri Mancini and The Beatles National Youth Jazz Orchestra of Great Britain Richard Stilgoe Jake Thrackray ● Toronto Mendelssohn Choir with Canadian Brass The Young Vic Company in a Tom Stoppard Double Bill 'The Real Inspector Hound' and 'After Magritte' Pinchas Zukerman with Marc Neikrug in recital Young Musicians Recitals Events for Children Fireworks Festival Club FULL PROGRAMME AVAILABLE FROM Festival Office, Royal Baths, Harrogate HG1 2RR Telephone: (0423) 62303

BBC uskers and in S The va Julian Hoyd Webber Yitkin Seow! OUTSTANDING RECORDINGS BY James Galway EXCLUSIVELY ON RCA THE MAN WITH THE GOLDEN FLUTE including: Minuet and Badinerie (J.S. Bach); Clair de Lune; Syrinx; The Little Shepherd (Debussy); Moto Perpetuo (Paganini); Flute Concerto in G minor "La Notte" (Vivaldi); Sonatina (Berkeley); Andante for Flute & Orchestra in C major, K.315 (Mozart) with the Festival Strings, Lucerne, conducted by Rudolf Baumgartner; National Philharmonic Orchestra, conducted by Charles Gerhardt; Anthony Goldstone, piano GL 25160 Cassette: GK 25160 VIVALDI: THE FOUR SEASONS (Concertos 1-4 from 12 Concertos, Opus 8 - "The Trial of Harmony and Invention"). with the Zagreb Soloists directed by James Galway - Leader: Tonko Ninic RL 25034 Cassette: RK 25034 JAMES GALWAY PLAYS BACH Flute Concerto in A minor BWV 1056; Flute Concerto in E minor (from BWV 1059 & BWV 35); Suite in B minor BWV 1067 with the Zagreb Soloists, Leader: Tonko Ninic RL 25119 Cassette: RK 25119 JAMES GALWAY PLAYS TELEMANN Suite in A minor for Flute and Strings; Concerto in G major for Flute and Strings; Concerto in C major for Flute and Strings with the Zagreb Soloists, Leader: Tonko Ninic; Directed by James Galway RL 25204 Cassette: RK 25204 Together, they're pure magic CLEO LAINE & JAMES GALWAY - A very special album "SOMETIMES WHEN WE TOUCH" Drifting. Dreaming (Satie: "Gymnopédie): Sometimes When We Touch: Play It Again. Sam: Skylark: How, Where. When? (Pachelbel: "Canon"); The Fluter's Ball; Consuelo's Love Theme (from "The Children of Sanchez"); Keep Loving Me: Anyone Can Whistle: Still Was The Night ("Bailèro"): Lo! Hear The Gentle Lark: Like A Sad Song Musical Direction and All Arrangements by JOHN DANKWORTH RL 25296 Cassette: RK 25296 RCA 6

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YITKIN SEOW When Arthur Rubinstein presented Yitkin Seow with the bronze medal at the 1977 Piano Competition in Tel Aviv he hailed his performance of the Brahms Paganini Variations as the "most wonderful" he had ever heard, and with the unanimous support of the jury handed him a cheque for $1,000. This unprecedented gesture exemplifies the level of public acclaim with which Seow has been greeted at every stage of his career. Born in Singapore in 1955 Yitkin Seow was invited to study in London by Yehudi Menuhin when he was only 12 and continued his studies with Nadia Boulanger and Vlado Perlemuter. At the age of 19 he embarked upon his international career by winning the BBC Piano Competition, despite being the youngest contender. This prestigious award led to his first appearance at the Royal Festival Hall with the Philharmonia Orchestra and a televised promenade concert with the BBC Northern Symphony Orchestra. In recent years, Seow has appeared in America, Japan and Jugoslavia, at the Hong Kong Festival and at the Beethovenfest in Bonn where his performance of the Emperor concerto met with the highest critical acclaim. Yitkin Seow broadcasts frequently for the BBC and has recorded for Enigma. His concert and recital repertoire ranges from Mozart, Chopin and Brahms to Bartok, Berg and Schonberg. OPEN DA

BARI LES) WEEK m. p.m. AS Meals VANN TE) Way JULIAN LLOYD WEBBER Within the last few years the name of cellist Julian Lloyd Webber has become an established part of the musical scene both in this country and, increasingly, internationally. He performs with the country's leading orchestras - future engagements include appearances with orchestras like LPO and RPO under such conductors as Sir George Solti, and he has already made many recordings and television appearances. Indeed, his recording of the album Variations composed by his brother Andrew Lloyd Webber won a gold disc within five weeks of its release, resulting in "sell out" concerts at home and in the U.S.A. Julian Lloyd Webber began playing the cello at the age of six and won open scholarships to the Royal Academy and the Royal College of Music. At the Royal College he won the award for the most outstanding string player and was chosen to perform as soloist at a concert attended by HM The Queen Mother. His first professional engagement was at the personal suggestion of Sir Arthur Bliss when he gave the first London performance of the composer's cello concerto at the Queen Elizabeth Hall in September, 1972. In the same month he won a scholarship to study with Pierre Fournier in Geneva and returned to give concerts throughout Great Britain. His first record was released in 1974, and in January of that year he made his Royal Festival Hall debut in a performance of the Elgar concerto. Julian Lloyd Webber has already performed in many parts of the world, and his playing was recently featured on a nationwide CBS television programme in the U.S.A. In January, 1978 at the age of 26 he was appointed professor of cello at the Guildhall School of Music, London.

Sonata in C major, Opus 65 Britten (1913-1976) Britten's C major Cello Sonata was planned during a holiday in Greece during the autumn of 1960, and composed at Aldeburgh being begun in December and completed in January, 1961. The first performance was on 7 July, 1961 at the Aldeburgh Festival, in the Jubilee Hall, the players being Mstislav Rostropovich, to whom it is dedicated, with the composer at the piano. There are five movements, the third being an allegretto Scherzo-Pizzicato, which Britten described as being 'A study in pizzicato', sometimes almost guitar-like in its elaborate right-hand technique. Après un Rêve, Opus 7 No. 1 Fauré (1845-1924) The beautiful, expressive song, from which this cello and piano arrangement has been made, was composed about 1865. Sonata for Cello and Piano in G minor, Opus 19 Rachmaninov (1873-1943) By 1901 life had become almost happy for the normally pessimistic Rachmaninov. His deep depression had been cured by the treatments of the hypnotist/psychologist Dr. Nikolai Dahl, as proved by the success of the Second Piano Concerto, and the 28-year-old composer/pianist felt a new confidence in himself and his works. On top of this his cousin, the pianist Alexander Siloti, had loaned him enough money to carry on without financial worries. It was in this assurance that the Sonata for Cello and Piano, as well as the Second Suite for Two Pianos, came to life. It was written for Anatoly Brandukov, a good friend and excellent cellist, and the two men gave the first performance in Moscow in December, 1901. Working so closely with its dedicatee Rachmaninov was able to achieve almost perfect balance between the two instruments with no loss of either technical command or passionate musicianship. In mood the work is close to the Second Piano Concerto.

the the ce ma s to 1 1 NOTES by Denby Richards (Author's Copyright 1980) Tate GPROGRAMME Sonata for cello and piano in D minor Debussy (1862-1918) Throughout the First World War Debussy occupied himself with the composition of a projected set of six sonatas for various combinations of instruments. His intention was to get rid of the German influence on French music, and he signed himself 'Claude Debussy, musicien français'. He wrote of his intentions in no uncertain terms: 'Let us get back our freedom and our forms. Since we ourselves invented most of these forms, it is only right that we should preserve them. There are none more beautiful'. The six sonatas were intended to recreate the formalism and sober thinking of the 17th and 18th century French instrumental composers, although in a contemporary context. The first work was the Cello and Piano Sonata, completed in 1915. The second, for Flute, Viola and Harp, came the next year, after which Debussy started work on the third, the Violin and Piano Sonata, completed in the Spring of 1917, and first played that May in Paris, by which time Debussy was a dying man. Less than a year later he was dead, without even beginning work on any of the remaining three sonatas. As the horrors of the war came closer to Paris, Debussy confided to Leon Vallas that the sonatas were a 'secret, fervent tribute to the youth of France, mown down by the scythe of war'. They are infected by the solitary, melancholy figure of Harlequin, the cello and piano sonata even having a subtitle Pierrot faché avec la lune (Pierrot angry with the moon). The opening Prologue, only four pages in length, is full of nobility of spirit, the cello soliloquising on a constantly developing series of ideas, many no more than a brief glimpse of a thought, yet no less decisive for that. In the middle Debussy introduced a short agitated section for the cello, playing over sepulchral piano chords, providing space for the cello to resume its peroration until the final, uncanny interval of an open fifth. In the second movement Harlequin is strongly in evidence, as the cello is asked to imitate a guitar, a mandolin, a flute and, unexpectedly, a tambourine. Yet the music of this unusual Serenade has a built-in vivacity, albeit riddled through with anxiety. Finally, in music which evokes a folk-song character, Harlequin tries pathetically to become light-hearted and gay, but is interrupted by a passage marked con morbidezza, leaving us face to face with the despair and desolation of his solitude in the cello's last, hopelessly wistful largo bars.

YORK FESTIVAL & MYSTERY PLAYS 6th-30th JUNE, 1980 Chairman: Councillor Richard Oxtoby. Vice-Chairman: Councillor Keith Wood. Festival Board: Cllr. Mrs. Barker, Clir. Mrs. E. Binner, Cllr. J. Birch, Cllr. Mrs. M. Auce Bwye, Clir. J. Clout, Cllr. G. Dean, C. Dodsworth, K. Evans, Cllr. C. Fairclough, R. Fox, Cllr. S. Galloway, C. Greaves, The Very Rev. R. Jasper, R. Jewell, A. Milling, Cllr. D. Nicholson, A. Pickering, J. Potts, Professor Saul. Festival Director: Richard Gregson-Williams. Festival Administrator: Nicolas Robertson. Administrative Assistants: Geraldine Fairfax-Cholmeley, Diane Crocombe, Annie Todd, Mary Foster. Press Officer: Rachel Semlyen. Box Office Manager: Alan Blacker. Arts Council Assessor: Keith Jeffery. Tape recordings may not be made during performances. The taking of photographs before, during or after performances is strictly forbidden. Please note that for events in York Minster, no public conveniences are available inside the Minster. The nearest facilities are at Bootham Bar. York Festival & Mystery Plays would like to express their gratitude to the Dean and Chapter of York Minster for their ready co-operation. Thanks are also due to the sponsors of Festival events, to Ben Johnson & Co. Ltd., to the Borough of North Wolds, to Mulberry Hall, to the College of Ripon & York St. John, the University of York, the British Music Society of York and the National Trust for their several promotions, and to the other bodies and individuals who have made contributions to the Festival. T A member of the British Arts Festivals Association Printed by Herald Rusholmes (Westminster Press) York

1976) uring miber slav most ment OV 3) the the irst its en The opening movement is characterised by a simple germination idea, heard in the introduction, based on a rising semitone, which proves to be the basis for the main theme of the allegro moderato. The second subject offers new opportunities, and the development section is full of invention, culminating in a short piano cadenza, leading easily into the recapitulation of a movement which is cast squarely in the classical sonata-form mould. The second movement is a scherzo cast in ABA form, in which the nervous undercurrents of the quicksilver outer sections are tamed by the flowing melodic lines of the central part. Poetry and passion dominate the slow movement, which is the heart and soul of the sonata, while the exuberant finale, a rondo, is a hymn of triumph, with a brilliant extended coda which recalls ideas from the opening pages of the work.

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YORK EARLY MUSIC FESTIVAL presents YORK EARLY MUSIC DAYS 18-26 JULY, 1980 FRIDAY 18 JULY 8 p.m. Trinity & All Saints' College, Horsforth, Leeds TREVOR PINNOCK: Harpsichord Music by Kuhnau, C. P. E. Bach, Handel and J. S. Bach. SATURDAY 19 JULY 8 p.m. Assembly Rooms YORKSHIRE BAROQUE SOLOISTS: Bach Concertos including Brandenburg No. 5 and Triple Harpsichord Concerto. SUNDAY 20 JULY 8 p.m. Guildhall KENNETH GILBERT: Harpsichord Music by d'Anglebert, Couperin and Rameau. MONDAY 21 JULY 7-30 p.m. St. Anthony's Hall EXTEMPORE STRING ENSEMBLE: Instrumental Music from Elizabethan England. TUESDAY 22 JULY 8 p.m. Merchant Adventurers' Hall ENSEMBLE GUILLAUME DE MACHAUT (Paris): Songs and Dances from Medieval France. WEDNESDAY 23 JULY 8 p.m. St. William's College LANDINI CONSORT: Hunting and Love Songs from 14th century Italy. THURSDAY 24 JULY 8 p.m. LANDINI CONSORT: Music for a Renaissance Italian Carnival. St. William's College FRIDAY 25 JULY 8 8 p.m. St. William's College LANDINI CONSORT: Music for the Dukes of Burgundy. SATURDAY 26 JULY 8 p.m. St. William's College LANDINI CONSORT: Music from the Golden Age of Elizabethan England. BOOKING OPENS 16 JUNE Tickets available from SOUND EFFECT (9 Davygate Centre, York 35101), by post only from York Early Music Festival Office, 86 Micklegate, York, and at the door. For further details and booking form send S.A.E. to: YORK EARLY MUSIC FESTIVALS, 86 MICKLEGATE, YORK YO1 1JZ

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LA Castle Howard, York. It may come as a surprise. If you've been thinking that Castle Howard is just another big old house, filled with dim old family portraits and tiring staircases, be encouraged. Holbein's portrait of Henry VIII sits next to his portrait of Thomas Howard, 3rd Duke of Norfolk who escaped execution by hours because the King died first. There's only one staircase and that has a chair-lift. There is a dazzling selection of historic dress in the Costume Galleries. Then there are the rose gardens, lakes, peacocks, a glittering fountain-you know: just the way it was in the 18th century. Castle Howard is open every day from the 3rd of April to the 31st of October. Grounds and cafeteria from 11am. House and Costume Galleries 11.30am. to 5pm. All-in ticket price. Reduced rate for children 5-13, and for coach parties booked in advance. Enquiries: The Comptroller, Castle Howard Coneysthorpe 333. SCARBORO CASTLE HOWARD YORK) A64 MALTON

other 3 sits kwho here's ng here -you to the nd uced ince CASTLE CHHALTOR Traditional English Arts and Crafts.... PATCHWORK, POTTERY PRINTS, MINIATURES & OBJET D'ART Alpha Find us at: 10, NEWGATE N (just off the famous "Kings Square") Telephone: 37067 Bartholomen City Guides. YORK JOHN HUTCHINSON DM PALLISER ALPHA DOVA מטסמ NEWGATE OPEN AIR MARKET Kings Square חו enpb & estperTlonoitol lori2 loyo owolle Just Published lonoitpl pripito Bart Bartholomew City Guide to tenine YORK by J. Hutchinson and D.M. Palliser A new and detailed guidebook to the history, architecture and art of York, designed for the inquisitive resident and discriminating tourist. It is arranged as a general historical introduction followed by seventeen walking tours around the ancient fabric of this famous city's streets and buildings. There is an extensive section on the Minster alone and notes on individual architects. Recommended excursions to surrounding areas are also included and the book contains fifty-six photographs plus many maps and plans. Extent 400 pages Price £6.95 (Limp) £9.95 (Cased) ISBN 0 7028 8050 7 (Limp) 0 7028 8060 4 (Cased) Available from booksellers and from the publishers John Bartholomew & Son Ltd., 12 Duncan Street, Edinburgh EH9 1TA

EDINBURGH INTERNATIONAL FESTIVAL 1980 17 AUGUST-6 SEPTEMBER opera Cologne Opera; Scottish Opera; Fires of London. orchestras New York Philharmonic; Gewandhaus; European Community Youth; Philharmonia; London Philharmonic; London Symphony; Scottish National; Scottish Chamber. drama & dance National Theatre; Royal Shakespeare Company; National Arts Centre, Ottawa; Vancouver East Cultural Centre; Cricot 2; Australian Dance Theatre; Scottish Ballet. OPERA: DRAMA: CONCERTS: DANCE: RECITALS: CHAMBER MUSIC: PROSE AND VERSE: EXHIBITIONS: STREET EVENTS: LATE NIGHT SHOWS. Brochure with full programme and booking details available 21st April. Postal booking opens 5th May. Send stamped addressed envelope to:- EDINBURGH FESTIVAL SOCIETY DEPT 30 21 MARKET STREET EDINBURGH EH1 1BW auf

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day olt by ents. The her Walter -York Festival- Church of St. Michael le Belfrey: Alberni String Quartet, with Jennifer and Ian Partridge. CHRISTOPHER FOX, at 25, is a very talented composer Like still in search of a style. At least compared with, let us say, Britten at the same age. me from a hit His Second String Quartet same name by Rats, which on Saturday night (the Festi- story of a 14- val claimed it as a first ican girl who performance) would not, if he teacher, the will forgive the weak joke, a schoolfriend. move the listener to instant with the cry y, she replied: a Fox"; or even ondays." dy Campbell also appeared MOND PRATT in the radio uite remark- ul choice I I was unable self by the unity Theatre Don't ersian ript tion URY Persian the first gen- the world, to be y's in London pected to fetch 50,000 and ere have been Tumours that some members of the Opposition are plan- ning to take the same sort of action as others did on Tanna. was written by Mongol ruler 16), the great- grandson of manuscript is cording to the ar, or AD 1314 Arabic and the illustrated with res of crucial o the history of ting. s to the Royal ciety of Great Ireland and has an to the British and the British ce 1948. anuscript and its volume in the the University of are the sole survi- he original monu- rk. recognition "There's "Tally-ho." But the composer's own note explained why, since the work is a synthesis of quartet- writing generally, from Haydn to believe I or not - Ferneyhough. It begins with a cassette 18th-century recording of music, and equally draws inspiration from - with quotes Mozart's "Dissonance" Quartet, K465. But Fox's own ideas linger in the mind: those slow, siren- like glissandi (derived from Bartok), and especially the persistent, tolling, single note which dominates the Quar- tet's second section and around which numerous inventions to be discerned. are The work was played by the Alberni Quartet, to whom it is dedicated, and who are corporately related, through the marriage of their cellist David Smith, to the pianist Jennifer Partridge, widely known as the platform accompanist of her brother, the tenor, Ian Partridge. So here was an ideal occa- sion, too, for a performance of Vaughan Williams's "On Wenlock Edge" cycle in its version for piano and strings. It is not the version I most prefer, the strings really adding little of significance to the piano-writing, and in this instance actually impairing, in a dull acoustic, Mr. Par- tridge's fine reputation for clear enunciation of words. With no dais provided for the performers, it was as American 0. Michael Moeller, 10 accused of seducing an Iranian woman who later was hanged, will be put on trial even if the Iranian Parlia- ment decides to release the U.S. hostages, a Justice investigator said Ministry yesterday. impossible to see him as to witness the "gestures, includ- ing mime" that were appar- ently part of Fox's Quartet. His singing for once had a somewhat hooded, slightly edgy tone, though the inter- pretation of songs where the music is more important than Housman's cynical verses (I find them more than merely pessimistic) was, as always, impeccable. The other work in the programme, since the oppor- tunity was not to be missed, was Elgar's A minor Quintet for piano and strings, Op. 84, a revival worth having once in a while if only for the profound beauty of the cen- tral Adagio. ERNEST BRADBURY York Minster: Halle Orchestra, Huddersfield Choral Society with Black Dyke Mills Band. THE evening sun filtered through the Minster's great West window illuminating the saints frozen in their coloured glass. At one point it seemed that even they might join in the great paean of praise which so sensationally crowns Walton's "Belshazzar's Feast." Certainly one could hardly hope to hear a more jubilant sound for a festival concert than a finely drilled chorus symphony orchestra and augmented by a brass band making "a joyful noise unto the God of Jacob." The idea of a programme featuring two masterworks of 20th Century romanticism - the Walton and Elgar's First Symphony in one of England's greatest churches was clearly a good one to round off the three-week fes- tival on Friday night, and it drew a capacity audience. If they had come to listen to music clear in every detail they would, of course, have been disappointed: the Min- ster is not well disposed to clarity of sound. It is, however, magnificent in producing what the Ameri- b for Minist technical-ley reached Foreign Sec ing here on ing a NATO ference last w cans might cal experience. So if the tir ment fe one night's concer physical than c not matter. What did ma the music-making to the spirit of the Huddersfield Society certainly richly to it, s didly, revelling) rich dissonances fl ing all the enthusiasm that wish. In turn, the plied the atmosph conductor, John supplied the raw direction, drivin hard so that the vigour of the mus Sitwell's full-blo came over as fre as one imagined first Leeds perf incredibly alm ago. Earlier, M steered the Ha confident and performance of He could no through certa ensemble whic of his or the he was suffic the acoustica scale the re surroundings His first example, was tender rather and at a pace the music to the surroundi it. One might more unanimi more volume, slow movem strings were ROB Today Final Conce Bavariar Orchestra Rafeael Kub syr Mahler Minister, 8.0

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V. lands Country ersome, Morley, acre cereai/pig in all aspects required for 250 farm, experience of cereal crop tractor work essential, some work be will with pig herd semi 3 bedroomed. required, detached house is available, wages negotiable. replies giving full c. 's of experience to the Manage.. Jersey House Farm, Main Street, Irton, Scarborough. GENERAL farmworker required. experienced livestock and arable work, good house available. Applications to Mr. A. Jones. Home Farm, Garrowby York. Telephone Bishop Wilton 260. 76 DRIVING VACANCIES RENT-FREE LODGE COTTAGE in return for occasional Domestic/Chauffeuring Help and general security. Quiet, country area just outside St. Neots. Might sult active, retired couple. Huntingdon Telephone 216237. (0480) DELIVERY driver, punctuality and reliability essential, clean driving licence, previous experience not necessary. 6 days per week, 10-3, wages negotiable. Box No. 4088, Yorkshire Post, Leeds. EXPERIENCED JCB driver wanted. Must have own transport. Top rates of pay. Ring Halifax 56727 between 6 and 8 p.m. 77 GENERAL VACANCIES DOOR MEN WITH MUSCLE & CLASS Required for York City Centre Nightclub, excellent rates of pay. and extremely good working condi- tions. For further details please contact Gary, on 0924 276899, between 6.30 p.m. Apply immediately. and LEAFLET DISTRIBUTION Experienced with supervisor own team and vehicle required to dis- tribute leaflets in the Leeds area. Full time job. £9 per thousand. Tel. Mr. Burke, office 061 442 7877. evenings 061 485 4523. EXPERIENCED person required to bud 20,000 roses, approx 3rd week in July. Henleys Nurseries, Selby Road, Market Weighton 06962 2464. RECO (Evenings) Three hours a day, 5.30 p.m. -8.30 p.m. Monday to Friday. five-day week. PLEASE RING Yorkshire Post Newspapers, 168, Wellington Street, Leeds LS1 1RF Tel. 32701, ext. 520 WANTED for city centre office. part-time person for hall security and light maintenance duties. Approximately 20 hours per week Monday-Friday plus alternate Saturday mornings. Suit active senior citizen. Write Box No. 4053, Yorkshire Post, Leeds. TWO girls required for busy trek- king centre, to start immediately till end of August, share cara- van. Apply Brownside Trekking Centre, Ravenscar, Scarborough. Tel. (0947) 880295. SMART agile person wanted. to help in electrical retail showroom in Leeds, approximately 20 hours per week, would suit pensioner. 441740. WOULD you still be looking for work if you could type or take shorthand? Young or not- so-young, we can teach you in just a few weeks. Try a begin- ners lesson free and without obligation any Thursday at 5.00, 6.00 or 7.00 p.m. Šight and Sound, 4th Floor, Yorkshire Post Newspapers Building (round left corner), Wellington St.. Leeds. Tel. 456176. 79 EMPLOYMENT WANTED QC Inspector, (refractories). 32 years of age, seeks suitable management post, must be in West Yorks. area. Minimum £5,000. Holder of IIM certificate in industrial manage- ment. NEBSS certificate in supervisory studies. Tel. 0484 25720. PAKISTANI mechanical engineer with HNC qualifications and varied administrative experience. seeks employment with any mechanical engineering firm around Yorkshire, aged 46. M. Farooq, 39, Priestman St.. Brad- ford 8. enced builder. 32660. SALES YOUNG man. 22, N.C.A., experi- cow man, tractor driver, wanting work. 0267 EX-SENIOR Engineer with draughting experience (36), seeks position as representative (anything con- sidered). Huddersfield based. Write Box No. 4055, Yorkshire Post. Leeds. GARDENER, horticultural student available for summer jobs. Tel. Leeds 678397. GARAGE FOREMAN We wish to make an appointment to assist in the smooth running of our new commercial vehicle workshops in Elland. The successful candidate (male or female) will be part of a small maintenance team working mainly on ERF vehicles in a modern workshop with up to date. equipment. For further details and an application form please write or telephone to Mr. D. Hemingway. Group Fleet Engineer. Roberts Group of Companies, PO Box. No. 8, Elland, West Yorkshire. Telephone 0422 76711 One of the and Sal The succe company's and to activ the North c the job. Previous e training will writing in th Mr. ENGLIS PF Required t soon after liaison wit level. The regular tou Profession are essenti Salary by Applicat Publicity S TRAI TI to assist in handli 23. Some prog 99, PUI