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The British Music Society of York, BMS 3 1 14 |
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1 The British Music Society of York, BMS 3 1 14, Page 1 |
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Ocr'd Text:
THE BRITISH
MUSIC SOCIETY
OF YORK
(Formerly the York Centre of the British Music Society)
THIRTY-SIXTH SEASON, 1956-57
B'S
YORK
President: LADY WORSLEY
Vice-President: Miss I. ANTHONY
Miss J. M. BIRCH
Mr. W. H. C. COBB
Mrs. E. DRYLAND
Mrs. EM. EDMOND
M. F.
Mr. B. H. HOLBECHE
Committee:
Chairman: Dr. H. ROYLE
Vice-Chairman:
MR. F. WAINE
Mr. P. A. LOVELL
Miss V. PARKER
Mrs. H. PROCTER
M₁ Miss C. RANDALL H.C. RANDALL
Miss K. H. TASKER
Mr. F WAINE
Hon. Treasurer:
Mr. R. LEES, Barclays Bank Ltd., Mansion House Branch, York
Hon. Secretary:
COPMAN THOR TE. Mr. F. R. FOX,
Messrs. Harrewell, Bloor and Fox, Solicitors, Parliament Street, York
TEL/No.
Hon. Auditor: Mr. R. F. MOTTERSHEAD
The National Federation of Music Societies, to which this Society is
affiliated, supports these concerts with funds provided by the Arts Council
of Great Britain
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2 The British Music Society of York, BMS 3 1 14, Page 2 |
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Ocr'd Text:
SYLLABUS, 1956-1957
1. THURSDAY EVENING, 27th SEPTEMBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
PIANOFORTE RECITAL by
PATRICIA BISHOP
PATRICIA BISHOP was born in 1933 and began her piano studies at the
age of eight. She won an Open Scholarship to the Royal College of Music
when she was fifteen and studied there for five years with Angus Morrison.
During that time she was awarded, in 1952, the Hopkinson Gold M lal and
Norris Prize, and in 1954 the Dannreuther Prize for the best concerto
performance of the year.
At the age of twenty she won the Queen's Prize for Pianists (a competition
open to any British subject under thirty), and was awarded the Silver Medal
of the Worshipful Company of Musicians.
2.
Patricia Bishop has broadcast since 1952, has given recitals all over the
country, and has toured Western Germany. She appeared before Her Majesty
the Queen at the Royal Concert, 1955.
THURSDAY EVENING, 18th OCTOBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
RECITAL by
THE BRAIN-POUGNET-PARRY TRIO
JEAN POUGNET-Violin
DENNIS BRAIN-Horn
WILFRID PARRY-Pianoforte
DENNIS BRAIN was born on 17th May, 1921, and was educated at
St. Paul's and the Royal Academy of Music. He studied horn playing under
his father, Aubrey Brain, a most distinguished performer, and took organ
lessons from G. D. Cunningham.
Regarded as the leading exponent of his instrument, he has had works
specially written for him by Benjamin Britten, Hindemith, Matyas Seiber
and Gordon Bryan.
JEAN POUGNET was born of a musical family, and received his first violin
lessons from his sister at the age of five. Three years later he was accepted
as a pupil by Rowsby Woof, Professor at the Royal Academy of Music. At
the age of eleven he won the Ada Lewis Scholarship and entered the Royal
Academy of Music, where he studied for seven years, winning two further
scholarships. His first recital at the Wigmore Hall was given when he was
fifteen, and the following year he made his first appearance in a Promenade
Concert.
His wide experience ranges from light music to concertos. He formed the
London String Trio with William Primrose and Anthony Pini. In 1942 he
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X
6. THURSDAY EVENING, 21st FEBRUARY, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
RECITAL by
THE NEW EDINBURGH QUARTET
ROBERT COOPER-Violin
ANNE CROWDEN-Violin
(with second 'cello)
THE NEW EDINBURGH QUARTET was founded during 1953 as a result
of an invitation made to its four members by the Trustees of the Reid
Orchestra Endowment Fund upon terms which enable them to make
Edinburgh their base and to devote a large proportion of their time to the
rehearsal and performance of string quartets.
CHRISTOPHER MARTIN-Viola
JOAN DICKSON-'Cello
The Quartet gave its first performance in 1953 at one of the Edinburgh
University Chamber Concerts. Concerts in England and Northern Ireland
followed and since 1954 the Quartet has frequently broadcast.
In its second season the Quartet toured England three times and played at
the Edinburgh Festival. It visited Denmark and broadcast for the Danish
Radio.
7.
Its engagements during the season 1955/56 have included a recital in the
Wigmore Hall for the Anglo-German Society and three concerts for the
McEwan Festival in Glasgow.
It was invited to play Dohnanyi's Pianoforte Quintet with the composer at
the Edinburgh Festival in August, 1956.
THURSDAY EVENING, 14th MARCH, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
RECITAL by
THE DELLER
Me Loughlin.
EILEEN MCLOUGHLIN Soprano
ALFRED DELLER-Counter Tenor
CONSORT
GERALD ENGLISH-Tenor
MAURICE BEVAN-Bass
Accompanied by DESMOND DUPRE-Lute
ALFRED DELLER was born in 1912 at Margate, Kent, where he made
a reputation as a boy soprano. He did not have the usual rest period
during adolescence, finding it natural and easy to sing in the alto register.
He has held appointments in the choirs of Canterbury and St. Paul's
Cathedrals, has made many recordings, and has broadcast frequently. He
has made many successful appearances on the Continent.
Michael Tippett comments on the counter-tenor voice: "To my ear, it has
a peculiarly musical sound, because almost no emotional irrelevancies distract
us from the absolutely pure quality of the production. It is like no other
sound in music and few other musical sounds are so intrinsically musical".
EILEEN MCLOUGHLIN is known to the members of this Society through
her excellent performance last season in collaboration with Julian Bream."
GERALD ENGLISH and MAURICE BEVAN hold appointments at St.
Paul's Cathedral. The latter has been heard in York Minster, where he has
sung in the Matthew Passion.
The singing of the Ensemble has been compared with a string quartet for its
balance and excellence of phrasing. It has earned the highest praise for its
clear enunciation, and an interpretation of the works of the Elizabethans
approaching perfection.
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became leader of the London Philharmonic Orchestra, subsequently resigning
in 1945 and devoting his attention to solo performances and chamber music.
WILFRID PARRY, now a familiar and popular figure at B.M.S. concerts,
studied at Trinity College of Music, where he held the Bambridge Piano
Scholarship, won the Chappell Gold Medal and was awarded a Fellowship
of the College.
He has been a regular broadcaster since 1929, and is well-known as a member
of this Trio, the Zephyr Trio, the Camden Trio, the Wigmore Ensemble,
and as an associate of Jean Pougnet and Anthony Pini in the performance
of sonatas.
3.
THURSDAY EVENING, 8th NOVEMBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
PIANOFORTE
BELA
RECITAL by
SIKI
BELA SIKI was born in 1923, and began his pianoforte studies at the
Budapest Conservatoire. Later, he became the pupil of Ernest von Dohnanyi.
In 1942 and 1943 he won first prize at the Concours Commemoratif arranged
by the Franz Liszt Society. He has been a soloist for the Hungarian Radio
since 1942. He has been heard with the leading symphonic societies in
Vienna and Budapest. In 1946 he was appointed a Professor of Pianoforte
at the Budapest Conservatoire.
He came to Geneva in 1947 and became the pupil of the famous pianist,
Dinu Lipatti, winning first prize for virtuosity at the Conservatoire; and in
the international Concours of Musical Execution he again took first place.
He has frequently appeared as a soloist in Swiss musical centres, both in
recitals and at concerts given by the Orchestra of the Suisse Romande, the
Tonhalle and Winterthur Orchestras under such conductors as Ansermet,
Carl Schuricht, Paul Sacher, Alceo Galliera and Jean Fournet.
He has made tours in Italy, Malta, France, Spain, Belgium and Holland and
has broadcast in this country in a series of concerts on the Third Programme.
4. THURSDAY EVENING, 29th NOVEMBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
RECITAL by
THE GRILLER STRING QUARTET
SYDNEY GRILLER
JACK O'BRIEN
PHILIP BURTON
COLIN HAMPTON
THE GRILLER STRING QUARTET gave its first public concert in London
on 8th November, 1928, when the members were students at the Royal
Academy. Then only newly formed, the Quartet decided that they could
only attempt to reach the standard at which they aimed if they devoted
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5 The British Music Society of York, BMS 3 1 14, Page 5 |
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themselves exclusively to Chamber Music. They have remained faithful to
their early resolve. So long an association of the SAME four players in the
study of Quartet playing and of this only-is probably unique in the history
of music, and accompanied by musical intelligence and virtuosity is responsible
for the well-deserved reputation the Quartet has gained as being one of the
finest in the world.
The Quartet have taken up permanent residence at the University of
California in a teaching capacity.
5. THURSDAY EVENING, 31st JANUARY, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens).
COMPOSERS IN CAMEO
JOAN TAYLOR-Soprano
NONA LIDDELL-Violin
DAPHNE IBBOTT-Piano
JOAN TAYLOR intended at first to be a pianist and as a child studied
under Coviello, later continuing her studies under him at the Royal Academy
of Music, of which she is now an Associate.
She was found to possess a soprano voice of exceptional promise, and after
training under Thomas Meux she completed her studies under Roy Henderson.
Whilst at the Royal Academy she became the first singer ever to be awarded
the Beethoven Scholarship-judged on that occasion by the composer, Nicholas
Medtner-and in addition won every other prize open to a soprano. Further
honour was the winning of the gold medal presented annually to the best
sub-professor in any subject.
She has appeared as soloist in most standard choral works with the leading
choral societies under Sir John Barbirolli, Sir Adrian Boult, Sir Malcolm
Sargent and other conductors of repute. Her repertoire includes German
Lieder, early Italian songs and works by modern French and British composers.
She has been a frequent broadcaster.
NONA LIDDELL won a scholarship to the Royal Academy of Music when
sixteen. During four years at the Academy she was awarded many prizes,
including the Worshipful Company of Musicians' Medal for "the most
distinguished student at the R.A.M.", awarded every three years.
When just twenty, she made her début at the Promenade Concerts, and has
since performed with many of the country's leading orchestras, besides giving
recitals and broadcasting.
DAPHNE IBBOTT also won a scholarship to the Royal Academy of Music,
where she won many prizes. She appeared at the National Gallery Concerts
during the war and has since appeared at numerous music clubs as soloist and
accompanist to many eminent artists. In 1949 she toured Denmark for the
British Council with Robert Irwin.
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6 The British Music Society of York, BMS 3 1 14, Page 6 |
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BORTHWICK INSTITUTE
BMS 3/1/14 (1)
HISTORICAL
OF
KINDLY NOTE that the Annual Subscription for Full Members is 25/-, and
for Junior Members (under 18) 12/6.
RESEARCH
All booking of seats for the Society's Concerts has been abolished, with the
following reservations:-
1.
A special number of seats to be reserved for the Officials of the
Society on duty and Press reporters.
2.
A limited number of seats to be provided for members who, by
reason of age or infirmity, would not be expected to take their place
in a queue or climb to the higher parts of the Hall.
Subscriptions are now due and should be paid to the Hon. Treasurer:
MR. R. LEES,
c/o Barclays Bank Ltd., Mansion House Branch, York,
who, on receipt, will forward the Membership Cards which admit to Concerts.
The charge for admission for non-members to all parts of the Hall to each
of the six Concerts is 6-/.
Doors will open at 7-0 for 7-30 p.m.
KINDLY BRING THIS SYLLABUS TO THE NOTICE OF YOUR
FRIENDS
Further copies may be obtained from the Hon. Treasurer.
Herald, York-45695
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7 The British Music Society of York, BMS 3 1 14, Page 7 |
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Ocr'd Text:
BS
YORK
THE
BRITISH MUSIC SOCIETY
OF YORK
PIANOFORTE RECITAL
by
PATRICIA BISHOP
in the
TEMPEST ANDERSON HALL
(Museum Gardens)
Thursday Evening, 27th September, 1956
at 7-30 prompt
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Ocr'd Text:
CHACONNE
LES BARRICADES MYSTERIEUSES
TIC-TOC-CHOC
PROGRAMME
NOCTURNE IN D FLAT
LA VALSE OUBLIEE
[
II
INTERVAL
:
III
:
:
VARIATIONS AND FUGUE ON A THEME OF HANDEL, OP. 24
:
:
Bach-Busoni
Couperin
Brahms
Chopin
Liszt
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Ocr'd Text:
NOCTURNE IN D FLAT
LA VALSE OUBLIEE
BALLADE No. 4 IN F MINOR, OP. 52
SUITE: NAPOLI
Barcarolle
Nocturne
Caprice Italien
TOCCATA
IV
B
⠀⠀
:
⠀⠀⠀
:
:
E
:
Chopin
Liszt
Chopin
Poulenc
Prokofiev
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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10 The British Music Society of York, BMS 3 1 14, Page 10 |
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Ocr'd Text:
BORTHWICK INSTITUTE
(BMS 3/1/14 (2)
HISTORICAL
OF
NEXT EVENT
Horn
THURSDAY EVENING, 18th OCTOBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
RECITAL by
THE
DENNIS BRAIN
BRAIN-POUGNET-PARRY TRIO
JEAN POUGNET
ILFRID ARRY
Pianoforte
*
RESEARCH
Herald, York-45751
Violin
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11 The British Music Society of York, BMS 3 1 14, Page 11 |
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Ocr'd Text:
BS
YORK
THE
BRITISH MUSIC SOCIETY
OF YORK
RECITAL by
BRAIN-POUGNET-PARRY TRIO
DENNIS BRAIN
Horn
THE
WILFRID PARRY
Pianoforte
JEAN POUGNET
in the
Violin
TEMPEST ANDERSON HALL
(Museum Gardens)
Thursday Evening, 18th October, 1956
at 7-30 prompt 2
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Adagio sostenuto-Presto
Andante con variazioni
SONATA IN A MAJOR, OP. 47 (KREUTZER) FOR VIOLIN AND
PIANOFORTE
Finale Presto
Allegro
PROGRAMME
Andante
1
TRIO IN E FLAT FOR HORN, VIOLIN AND PIANOFORTE
Rondo-Allegro
II
Beethoven
Mozart
arr. Naumann
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Andante
Rondo-Allegro
Andante
INTERVAL
TRIO IN E FLAT, OP. 40, FOR PIANOFORTE, VIOLIN AND
HORN
Scherzo Allegro
Adagio maesto
Finale: Allegro con brio
III
Brahms
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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14 The British Music Society of York, BMS 3 1 14, Page 14 |
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Ocr'd Text:
NEXT EVENT
URTHWICK INSTITUTE
BMS 3/1/14 (3)
HISTORICAL
OF
by
PIANOFORTE RECITAL
THURSDAY EVENING, 8th NOVEMBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
BELA SIKI
*
Herald, York-45871
RESEARCH
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Ocr'd Text:
BS!
YORK
THE
BRITISH MUSIC SOCIETY
OF YORK
PIANOFORTE RECITAL
by
BELA SIKI
in the
TEMPEST ANDERSON HALL
(Museum Gardens)
Thursday Evening, 8th November, 1956
at 7-30 prompt
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16 The British Music Society of York, BMS 3 1 14, Page 16 |
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Ocr'd Text:
ITALIAN CONCERTO IN F MAJOR
Allegro moderato
Adagio
Presto
PROGRAMME
SONATA IN A MAJOR, OP. 120
Allegro moderato
Andante
Allegro
CARNAVAL, OP. 9
(Scenes mignonnes sur quatre notes)
Preambule Pierrot
Arlequin
Florestan Coquette Replique
(A.S.C.H., S.C.H.A.)
Reconnaissance
-
I
...
Valse Noble
Papillons
Chiarina
Pantalon et Colombine
Paganini
Promenade
Aveu
Davidsbündler contre les Philistins
Chopin
Eusebius
Lettres dansantes
Pause
INTERVAL
Estrella
Valse allemande
Marche des
Bach
Schubert
Schumann
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Ocr'd Text:
Paganini
Aveu
Promenade
Davidsbündler contre les Philistins
SONATINA FOR THE LEFT HAND
Allegro
Andante espressivo
Allegro
MIROIRS
Noctuelles
Oiseaux Tristes
Une barque sur l'ocean
Alborada del Grazioso
La Vallée des Cloches
Pause
INTERVAL
II
Marche des
Lipatti
Ravel
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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18 The British Music Society of York, BMS 3 1 14, Page 18 |
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Ocr'd Text:
INSTITUTE
DOSTAWIC
BMS 3/1/14 (4)
HISTORICAL RESEARCH
OF
NEXT EVENT
THURSDAY EVENING, 29th NOVEMBER, 1956, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
RECITAL by
THE GRILLER STRING QUARTET
Herald, York-46031
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19 The British Music Society of York, BMS 3 1 14, Page 19 |
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Ocr'd Text:
BS
YORK
D
THE
BRITISH MUSIC SOCIETY
OF YORK
RECITAL by
THE GRILLER STRING QUARTET
SIDNEY GRILLER
(Violin)
JACK O'BRIEN
(Violin)
in the
PHILIP BURTON
(Viola)
COLIN HAMPTON
('Cello)
TEMPEST ANDERSON HALL
(Museum Gardens)
Thursday Evening, 29th November, 1956
at 7-30 prompt
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20 The British Music Society of York, BMS 3 1 14, Page 20 |
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Ocr'd Text:
QUARTET IN D MINOR, OP. 76, No. 2
PROGRAMME
Allegro
Andante e più tosto allegretto
Menuetto: Allegro ma non troppo
Finale: Vivace assai
QUARTET No. 1 (1912)
Rhythmique
Intime, contenu
Vif, très rhythmé
I
II
Haydn
Milhaud
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Ocr'd Text:
Intime, contenu
Vif, très rhythmé
INTERVAL
III
QUARTET IN E FLAT MAJOR, OP. 127
Maestoso Allegro
Adagio, ma non troppo e molto cantabile
Scherzo: Vivace
Finale
Beethoven
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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Ocr'd Text:
DORTHWICK INSTITUTE
SMS 3/1/14 (5)
HISTORICAL
OF
JOAN TAYLOR
(Soprano)
NEXT EVENT
THURSDAY EVENING, 31st JANUARY, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
Composers in Cameo
A PROGRAMME OF MUSIC
BY MOZART
RESEARCH
DAPHNE IBBOTT
(Pianoforte)
NONA LIDDELL
Herald, York-46125
(Violin)
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Ocr'd Text:
BAS
YORK
THE
BRITISH MUSIC SOCIETY
OF YORK
Composers in Cameo
A PROGRAMME OF MUSIC
BY MOZART
JOAN TAYLOR
(Soprano)
DAPHNE IBBOTT
(Pianoforte)
NONA LIDDELL
in the
(Violin)
TEMPEST ANDERSON HALL
(Museum Gardens)
Thursday Evening, 31st January, 1957
at 7-30 prompt
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Ocr'd Text:
TRIO
VIOLIN & PIANO
SONGS
PIANOFORTE
PROGRAMME
Motet-Exultate jubilate K.165
Sonata in A major K.526
Das Veilchen
Dans un bois solitaire
An Chloe
Warnung
INTERVAL
Rondo in D major
Fantaisie in D minor
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Ocr'd Text:
PIANOFORTE
VIOLIN SOLOS
RECITATIVE
ARIA
TRIO
Rondo in D major
Fantaisie in D minor
Andante from Violin Concerto in A major
Rondo in G (arr. Kreisler)
E Susanna non vien
Dove sono
(Nozze de Figaro)
L'Amèro, sarò costante (Il Re Pastore)
K.219
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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Ocr'd Text:
*
INSTITUTE
BURTHWICK
BMS 3/1/14 (6)
HISTORICAL RESEARCH
OF
NEXT EVENT
THURSDAY EVENING, 21st FEBRUARY, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
RECITAL by
THE NEW EDINBURGH QUARTET
ROBERT COOPER-Violin CHRISTOPHER MARTIN-Viola
ANNE CROWDEN-Violin JOAN DICKSON-'Cello
with MARGARET MONCRIEFF-'Cello
Herald, York-46515
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Ocr'd Text:
O
BS
YORK
THE
BRITISH MUSIC SOCIETY
OF YORK
RECITAL by
THE NEW EDINBURGH QUARTET
ROBERT COOPER-Violin CHRISTOPHER MARTIN-Viola
ANNE CROWDEN-Violin JOAN DICKSON-'Cello
with MARGARET MONCRIEFF-'Cello
in the
TEMPEST ANDERSON HALL
.(Museum Gardens)
Thursday Evening, 21st February, 1957
at 7-30 prompt
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28 The British Music Society of York, BMS 3 1 14, Page 28 |
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Ocr'd Text:
PROGRAMME
QUINTET IN G MINOR, Op. 37, No. 2
Allegro con un poco di moto
Adagio
Tempo di Menuetto
FINALE Allegro
QUARTET IN E FLAT, Op. 51
Allegro ma non troppo
DUMKA: Elegie
ROMANZE: Andante con moto
FINALE Allegro assai
Boccherini
Dvorak
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Ocr'd Text:
FINALE: Allegro assai
QUINTET IN C MAJOR, Op. 163
Allegro ma non troppo
Adagio
SCHERZO Presto
TRIO: Andante sostenuto
FINALE Allegretto
INTERVAL
Schubert
(The National Federation of Music Societies, to which this Society is affiliated,
supports this concert with funds provided by the Arts Council of Great Britain.)
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30 The British Music Society of York, BMS 3 1 14, Page 30 |
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Ocr'd Text:
INSTITUTE
SORTHWICK
BMS 3/1/14 (7)
HISTORICAL
EILEEN MCLOUGHLIN
(Soprano)
OF
NEXT EVENT
THURSDAY EVENING, 14th MARCH, 1957, at 7-30 p.m.
in the TEMPEST ANDERSON HALL (Museum Gardens)
ALFRED DELLER
(Counter Tenor)
RECITAL by
THE DELLER CONSORT
RESEARCH
Herald, York-46664
GERALD ENGLISH
(Tenor)
MAURICE BEVAN
(Bass)
Accompanied by DESMOND DUPRE-Lute
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Ocr'd Text:
99
THE BRITISH MUSIC SOCIETY OF YORK
MEMBERSHIP CARD 12/6
Name.......
This card must be produced at each Concert
BMS 3/1/14 (7)
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Ocr'd Text:
THE
BRITISH MUSIC SOCIETY OF YORK
THIRTY-SIXTH SEASON, 1956-57
Thursday Evenings at 7-30
in The Tempest Anderson Hall
1956
27th September
PAT BISHOP-Pianoforte
18th October
THE BRAIN-POUGNET-PARRY TRIO
8th November
BELA SIKI-Pianoforte
29th November
GRILLER STRING QUARTET
1957
31st January
COMPOSERS IN CAMEO
Joan Taylor (Soprano)
Nona Liddell (Violin)
Daphne Ibbott (Pianoforte)
21st February
NEW EDINBURGH QUARTET
(with second 'cello)
14th March
DELLER CONSORT
Eileen McCloughlin Gerald English
Maurice Bevan
Alfred Deller
with Desmond Dupre-Lute